https://buy-zithromax.online buy kamagra usa https://antibiotics.top buy stromectol online https://deutschland-doxycycline.com https://ivermectin-apotheke.com kaufen cialis https://2-pharmaceuticals.com buy antibiotics online Online Pharmacy vermectin apotheke buy stromectol europe buy zithromax online https://kaufen-cialis.com levitra usa https://stromectol-apotheke.com buy doxycycline online https://buy-ivermectin.online https://stromectol-europe.com stromectol apotheke https://buyamoxil24x7.online deutschland doxycycline https://buy-stromectol.online https://doxycycline365.online https://levitra-usa.com buy ivermectin online buy amoxil online https://buykamagrausa.net

Getting on board for the Bard

Got our advance notice of what the Colorado Shakespeare Festival [http://www.coloradoshakes.org/] is serving up next summer. It's going to be an excellent line-up — Julius Caesar (the first Shakespeare I read), Hamlet (which Kay has been reading recently), and Taming of the Shrew (always a hoot). For their modern production they will, appropriately, be doing Rosenkrantz and Guildenstern Are Dead. Finally, they'll be doing two nights of their fun Original Practices edition, with Henry VI, Part 3 (finally wrapping up that whole cycle); no word on whether Kit Marlowe will be co-credited.

I'm sure if we set up tix this far in advance, we'll run into conflicts; on the other hand, discounts and good seats are a powerful persuader, and our plans for next summer (aside from college visits, ugh) are still nebulous. So it's just a matter of doing some schedule coordination with our play-watching cohorts, and then marking the calendar. CSF always does a fine job, and I'm very much looking forward to next season.

 

View on Google+

44 view(s)  

4 thoughts on “Getting on board for the Bard”

  1. Yeah, I didn't get directly exposed to Shakespeare until high school.

    I've always liked JC, though it's not nearly as popular as a lot of other Shakespearean plays — IMO because it is pretty cerebral and (a bit of mob violence aside) not action-oriented. It's a psychodrama about ambition, honor, and manipulating the crowd. Good stuff, and some great monologues.

Leave a Reply

Your email address will not be published. Required fields are marked *