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Movies to come …

Things I’m looking forward to in this summer’s movie queue: Iron Man (5/2): Okay, that’s not really summer yet, but it counts. Looks like great fun (Peter David says it…

Things I’m looking forward to in this summer’s movie queue:

  1. Iron Man (5/2): Okay, that’s not really summer yet, but it counts. Looks like great fun (Peter David says it is.)
  2. Speed Racer (5/9): I don’t care. I want to see it.
  3. Prince Caspian (5/16): One to go see with Kitten? Maybe so, since I saw the first one with her.
  4. Indiana Jones and the Kingdom of the Crystal Skull (5/22): Oh, yeah.
  5. Kung Fu Panda (6/6): I’m not sure I want to see this, but I suspect I will have little choice.
  6. Hellboy II: The Golden Army (7/11): Woot! Hellboy! Woot!

Maybes:

  1. Incredible Hulk (6/13): Have never seen the whole of the first Ang Lee flick, but what I saw didn’t wow me. This one is, supposedly, maybe, sorta better.
  2. Get Smart (6/20): I think Steve Carell can pull the Don Adams role off. The question is — will it be any good? Might wait on word of mouth for this one.
  3. WALL-E (6/27): I suspect I will have no choice on this one, either, and it should be Pixariffic goodness — I just get a weird vibe about it.
  4. Wanted (6/27): I found the Mark Millar comic tale train-wreck fascinating but ultimately nihilistic and unsatisfying. I have little doubt it will be toned down for the big screen, and it’s an interesting enough idea that I’m curious as to what they do with it.
  5. Hancock (7/2): Will Smith as a down-and-out superhero. Hmmmm.
  6. The Dark Knight (7/11): I am ashamed to say I haven’t yet seen the first of the new Batman movies. So I’m not sure I’ll see this one any time soon.
  7. The Mummy: Tomb of the Dragon King (8/1): For a franchise from a movie that I consider one of my all-time faves, I’ve been increasingly disappointed with each installment — and this going back to the well again doesn’t strike me as a promising idea.

Now, how the heck I’m going to see these things when we average about, oh, three movies a year, is beyond me …

“Heroes aren’t born, they’re built”

The next Iron Man trailer is out.   I don’t know if it will be any good, but it’s going to look good and it sure seems like it’s going…

The next Iron Man trailer is out.

 

I don’t know if it will be any good, but it’s going to look good and it sure seems like it’s going to be fun.

(via “Squeee!” BD)

“Does Whatever an Iron Can …”

I can’t decide if this movie is going to be really stupid or pretty decent — but the trailer for the new Iron Man is certainly fun. (via Les)…

I can’t decide if this movie is going to be really stupid or pretty decent — but the trailer for the new Iron Man is certainly fun.

(via Les)

Ultimate Avengers II

Catching up on DVR stuff yesterday afternoon, I finally watched the recent Marvel/Lionsgate animation, Ultimate Avengers 2. I missed the original, alas — well, maybe not so alas, but…

Catching up on DVR stuff yesterday afternoon, I finally watched the recent Marvel/Lionsgate animation, Ultimate Avengers 2. I missed the original, alas — well, maybe not so alas, but I did miss that, so I came into this episode “cold.”

Not that it hurt me that much, as the writers made sure that no subtext or plot line went unaluded to or unflashbacked. Which is fine, really, but it made an already rather lightweight production mixed-metaphorically flabby.

The cartoon is based on the Ultimates series, part of Marvel’s updated, hip, violent, oh-so-cool Ultimate universe. The Ultimates are that universe’s rendition of the Avengers, but since the latter have the name recognition as a group (such as it is), the animateds carry both titles.

The show follows along the characters and setting of the Ultimates pretty well — along the same lines as, say, the Rankin-Bass Lord of the Rings does so the books (“Frodo … of the Nine Fingers …”). Costumes and temperments map up pretty well, though some of the more mature audience extremes — Stark as a real drunken playboy, Giant Man as a wife beater, Thor as a lunatic, Hulk as murderer, etc. — are toned down for the audience. That said, I’d probably rate this for 9- to 10-year-olds
— some of the settings are grim, and some of the action gets a bit bloody at times. The problem is, the sophistication of the story is right on line with what you’d expect 9-10yo’s to like.

The specific tale follows from the alien invasions of the first movie. The Hulk is imprisoned, Cap is plagued by visions from his past. And, off in Africa, the hidden jungle kingdom of Wakanda is being invaded by some of the aliens, led by (apparently) a Nazi officer. The story goes through Prince T’Challa taking the throne, engaging with the Ultimates to get help (countering against Wakandan xenophobia), Cap getting a second crack against an old arch-enemy, Hank and Janet quarreling, Tony trying out different
armors, Thor ticking off his Daddy by helping the morals anyway, etc. And, oh yeah, a big alien invasion.

(Ironically, there are a ton of similarities between the alien invasion here and that in the premiere episode of the recent Justice League animated series — similarities beyond both of them paying tribute to H.G. Wells. I leave the viewer to draw them out.)

The animation is okay — not nearly as slick as much anime or as stylized as the DC Universe shows of late, but passable. The end titles have some of the Bryan Hitch designs for the Ultimates, which shows off both how closely they’ve toed the line and how far from the mark in quality they are.

The plot is where this movie struggles. The external foe is hackneyed at best (invading aliens led by a shape-shifting Nazi spy? Jeez, even Stan the Man would have problems with that one these days), and much of what makes the Ultimates so interesting — their interpersonal conflicts and individual failings within the context of celebrity and Great Power — is toned down here to the point of being nearly pointless. The Pyms bicker. Cap is haunted. Thor and Odin don’t get along. Tony is egotistical and a slacker.
Banner is … well, Banner. T’Challa, meanwhile, misses the mark as the Black Panther of either world — combining a bit of the Lion King with Wolverine, but without the charm or attraction of either.

As a way to pass a bit of time in the afternoon, there are far worse ways of going. Frankly, though, this has minimal rewatchability and was entertaining only as a comic book fan, not in and of itself. Caveat emptor.

 

Getting it right

Kudos to Sam Raimi, et al., for Spider-Man. Moreso than Burton’s Batman or the first two Superman flicks, this film captures both the spirit and the story of an iconic…

Kudos to Sam Raimi, et al., for Spider-Man. Moreso than Burton’s Batman or the first two Superman flicks, this film captures both the spirit and the story of an iconic comic book character.

Spidey has never been my favorite character (only Joe Straczynski’s current stint on the book has placed it in the coveted “Must Save Best for Last” category), but he’s often been solid comic book entertainment. I’ve reread the old Lee/Ditko tales, and the later creative teams, multiple times.

When you make a movie about a well-known story — whether it’s The Scarlet Letter, or Spider-Man — you have a couple of choices. You can try to make the story your own, emphasizing some particular aspect of the story or characters to zoom in on and emphasize. That’s what Burton did, turning Batman from brooding detective to borderline schizo. (It worked brilliantly, by the by.)

Alternately, you can try to find the heart of the tale, what makes it so well-known and iconic, and crank up the volume on that. Raimi takes this approach, blending the well-known lesson of “With Great Power Comes Great Responsibility” with the tale of a nerd who gets what any nerd would dream of — strength, grace, skills — and discovers that it does not automatically make his life wonderful. The result is something that Lee and Ditko from 1962 would find recognizable and probably enjoy very much.

(SPOILER warnings for what follows.)

Continue reading “Getting it right”