{"id":50224,"date":"2015-04-30T06:47:57","date_gmt":"2015-04-30T12:47:57","guid":{"rendered":"http:\/\/hill-kleerup.org\/blog\/2015\/04\/30\/graffiti-vs-mother-nature.html"},"modified":"2015-05-04T15:51:58","modified_gmt":"2015-05-04T21:51:58","slug":"graffiti-vs-mother-nature","status":"publish","type":"post","link":"https:\/\/hill-kleerup.org\/blog\/2015\/04\/30\/graffiti-vs-mother-nature.html","title":{"rendered":"Graffiti vs Mother Nature"},"content":{"rendered":"<p>I&#39;m not all that sanguine about street art on other people&#39;s property to begin with. Sure, something really artistic on something blighted, that&#39;s easy to aesthetically justify. Defacing something that had its own beauty of place and aesthetic intent? That&#39;s rude, at the very least.<\/p>\n<p>Extending that to national parks &#8212; something preserved with aesthetic intent, and owned by everyone, myself included, the tagging of natural features (or even artificial structures) is a sketchy thing to do at best (so to speak), but it also has a &quot;broken window&quot; effect: even if someone&#39;s art is the greatest thing since Alma-Tadema, violating that social convention opens that space up to art and messaging that simply won&#39;t be.<\/p>\n<p>As to the sentiment, <i>&quot;If provoking outrage is not part of your intention as a graffiti artist, why do it?&quot;<\/i> &#8230; well, that just sounds like you&#39;re being a dick, not an imp or gadfly.<\/p><\/blockquote>\n<blockquote class=\"sm2wp\"><p>\n<a style='display:inline;' href='http:\/\/www.latimes.com\/local\/california\/la-me-graffiti-20150427-story.html'><br \/>\n<img src='https:\/\/lh6.googleusercontent.com\/proxy\/9mPcFUIdaZ7kxTwRDzqxweDUgOs5nfuDzzJof_rQQXEIh-EgT4KBvu86sXYsqDx6uAPDG_qtjxd9TBmTp7qOsm4nQ5awx9OdnRYruGZwGY0GxQ=w506-h303-p' border='0' style='max-width:650px;'\/><br \/>\n<\/a><br \/>\n<span style='font-size:large;'><a href='http:\/\/www.latimes.com\/local\/california\/la-me-graffiti-20150427-story.html'>Graffiti artists&#8217; move to national parks shocks nature community<\/a><\/span><br \/>\nAndre Saraiva is an internationally known graffiti artist. He owns nightclubs in Paris and New York, works as a top editor of the men&#8217;s fashion magazine L&#8217;Officiel Hommes and has appeared in countless glossy magazines as a tastemaker and bon vivant.\n<\/p><\/blockquote>\n<p><span style='font-size:small;'><a href='https:\/\/plus.google.com\/+DaveHill47\/posts\/iLZDk44U6eT'>View on Google+<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#39;m not all that sanguine about street art on other people&#39;s property to begin with. Sure, something really artistic on something blighted, that&#39;s easy to aesthetically justify. Defacing something that had its own beauty of place and aesthetic intent? That&#39;s rude, at the very least. Extending that to national parks &#8212; something preserved with aesthetic &hellip; <a href=\"https:\/\/hill-kleerup.org\/blog\/2015\/04\/30\/graffiti-vs-mother-nature.html\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Graffiti vs Mother Nature&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_analysis_target_kw":"","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[106,63,66,108,721],"tags":[],"class_list":["post-50224","post","type-post","status-publish","format-standard","hentry","category-plusposts","category-environment","category-media-art","category-history","category-interesting-places"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":8750,"url":"https:\/\/hill-kleerup.org\/blog\/2006\/04\/25\/bumper_crop.html","url_meta":{"origin":50224,"position":0},"title":"Bumper crop","author":"***Dave","date":"Tue 25-Apr-06 7:21pm","format":false,"excerpt":"The original intent of license plates was to demonstrate that someone had purchased a state (or county or city) license for their vehicle. Eventually, they became a handy law enforcement...","rel":"","context":"In &quot;Media &amp; Culture&quot;","block_context":{"text":"Media &amp; Culture","link":"https:\/\/hill-kleerup.org\/blog\/category\/media"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":47930,"url":"https:\/\/hill-kleerup.org\/blog\/2014\/11\/11\/the-evolution-of-anime-art.html","url_meta":{"origin":50224,"position":1},"title":"The evolution of anime art","author":"***Dave","date":"Tue 11-Nov-14 8:05am","format":false,"excerpt":"I can't speak as much for the changes from the 90s to 10s, as much as the changes from the 60s\/70s to the 80s\/90s, but clearly changes in audience, art technology, and aesthetic have had an influence on anime styles. How Anime Art Has Changed: An Explainer Anime, you've changed!\u2026","rel":"","context":"In &quot;~PlusPosts&quot;","block_context":{"text":"~PlusPosts","link":"https:\/\/hill-kleerup.org\/blog\/category\/blogging\/plusposts"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":137691,"url":"https:\/\/hill-kleerup.org\/blog\/2019\/01\/18\/on-the-spider-man-into-the-spider-verse-aesthetic.html","url_meta":{"origin":50224,"position":2},"title":"On the &quot;Spider-Man: Into the Spider-Verse&quot; aesthetic","author":"***Dave","date":"Fri 18-Jan-19 7:22pm","format":false,"excerpt":"The animation for SMItSV is really remarkable in where it's realistic and where it's not. It's lovely, and I'll be curious to see the extent to which it's imitated by others, vs the extent to which the lesson of experimentation and trying something new is emulated.#comics #spiderman #animation How Spider-Man:\u2026","rel":"","context":"In &quot;~PlusPosts&quot;","block_context":{"text":"~PlusPosts","link":"https:\/\/hill-kleerup.org\/blog\/category\/blogging\/plusposts"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6030,"url":"https:\/\/hill-kleerup.org\/blog\/2004\/06\/03\/ars_gratia_arti.html","url_meta":{"origin":50224,"position":3},"title":"Ars gratia artis","author":"***Dave","date":"Thu 3-Jun-04 6:18pm","format":false,"excerpt":"In this age, it is difficult to avoid giving offense in some fashion or another (people being so eager to search it out), so coming up with \"art that does...","rel":"","context":"In &quot;ZT &amp; PC&quot;","block_context":{"text":"ZT &amp; PC","link":"https:\/\/hill-kleerup.org\/blog\/category\/zt-pc"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":22081,"url":"https:\/\/hill-kleerup.org\/blog\/2011\/08\/10\/book-review-the-art-of-drew-struzan-by-drew-struzan-and-david-schow-2010.html","url_meta":{"origin":50224,"position":4},"title":"Book Review: &#8220;The Art of Drew Struzan&#8221; by Drew Struzan and David Schow (2010)","author":"***Dave","date":"Wed 10-Aug-11 9:47pm","format":false,"excerpt":"The Art of Drew Struzan by Drew Struzan My rating: 5 of 5 stars Struzan's movie poster work exceeds the iconic (Harry Potter, Back to the Future, Blade Runner, Star Wars, Indiana Jones ...). Reading about his professional career and seeing both examples of his work (and the variety of\u2026","rel":"","context":"In &quot;Books&quot;","block_context":{"text":"Books","link":"https:\/\/hill-kleerup.org\/blog\/category\/media\/media-books"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":15208,"url":"https:\/\/hill-kleerup.org\/blog\/2009\/07\/14\/modern-art-so-bad-it-hurts-you.html","url_meta":{"origin":50224,"position":5},"title":"Modern art so bad, it hurts you!","author":"***Dave","date":"Tue 14-Jul-09 2:37pm","format":false,"excerpt":"From the Tate Modern, natch. Nearly 40 years on, Robert Morris's Bodyspacemotionthings has lost none of its potential for danger after clocking up a string of casualties during a special reappearance at Tate Modern this summer. The artwork, in which participants are invited to negotiate see-saws, a tightrope and other\u2026","rel":"","context":"In &quot;Fine Art&quot;","block_context":{"text":"Fine Art","link":"https:\/\/hill-kleerup.org\/blog\/category\/media\/media-art"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/hill-kleerup.org\/blog\/wp-json\/wp\/v2\/posts\/50224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hill-kleerup.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hill-kleerup.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hill-kleerup.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hill-kleerup.org\/blog\/wp-json\/wp\/v2\/comments?post=50224"}],"version-history":[{"count":1,"href":"https:\/\/hill-kleerup.org\/blog\/wp-json\/wp\/v2\/posts\/50224\/revisions"}],"predecessor-version":[{"id":50320,"href":"https:\/\/hill-kleerup.org\/blog\/wp-json\/wp\/v2\/posts\/50224\/revisions\/50320"}],"wp:attachment":[{"href":"https:\/\/hill-kleerup.org\/blog\/wp-json\/wp\/v2\/media?parent=50224"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hill-kleerup.org\/blog\/wp-json\/wp\/v2\/categories?post=50224"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hill-kleerup.org\/blog\/wp-json\/wp\/v2\/tags?post=50224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}