Goodies from Turner Classic Movies:
Double Indemnity (1944): Billy Wilder directs (and Raymond Chandler co-writes), as a creepy Fred MacMurray falls for a nasty Barbara Stanwyck and agrees to help her kill her husband, with their greatest threat coming from MacMurray’s insurance investigation colleague, a clever Edward G. Robinson. One of the defining films of film noir, and, yes, a movie I’d recommend anyone to watch. Except maybe Katherine. (Thanks, Scott!)
The Private Lives of Elizabeth and Essex (1939): Betty Davis is a marvelously lonely, twitchy, lovestruck Elizabeth I, and Errol Flynn is a too-handsome, flightily ambitious Earl of Essex, and the two of them are caught up in an oddly unengaging soap opera of politics, love, anger and ambition. Not one of Davis’s better films, but one of her best performances. Flynn plays Flynn — Davis wanted Olivier, but later came to appreciate his work.
Twelve Angry Men (1957): Henry Fonda as the proverbial odd man out in a jury in a capital case quick to rush to decision. It’s a fascinating combination of (now) famous talent a cross-section of everyman society, locked in an overheated room, betrayed by emotions, prejudices, and disinterest in serving up inconvenient justice. Should be required viewing in every civics classroom, even today, fifty years later.
1. Double Indemnity: What can I say? I love this movie. Never gets old.
2. The Private Lives of Elizabeth and Essex: This is Bette Davis month on TCM. They showed this one on Wednesday. I didn’t watch it, as I’m not a big Bette Davis fan. I do like Errol Flynn, though. May have to give this one a look next time it’s on.
3. Twelve Angry Men: Riveting film! Interestingly, when I think of this movie, I invariably picture Jack Klugman. His performance really stands out for me.
All of the actors bring something interesting to the movie. Klugman’s soft-spoken slum kid; Martin Balsam’s kind of ineffectual foreman; Jack Warner’s lackadaisical sports fan; Robert Webber as the vapid marketing guy; George Voscovic’s immigrant; Joseph Sweeney’s older retiree; E.G. Marshall’s precise stock broker; John Fiedler as, well, John Fiedler; Ed Binns as the working man; Ed Begley (Senior) and Lee J. Cobb’s angry men.
Actually, one of the things that struck me most about the film is how miserably hot and awful NYC was in the days before air conditioning …