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The screenwriter for the "Sandman" movie says it really needs to be a TV series

And so has left the production.

And, honestly, I can't blame him. Let's hope American Gods goes well, and that leads to a change of heart about the direction Sandman really needs to go.

Aside from the episodic nature of the original material, the other great challenge I see is that its tone shifts radically between installments. How you would choose what element to do for a limited 2-1/2 hour movie, and have it make sense, is indeed a hurdle that any movie would have problems with — and any TV series would have to overcome as well.




Another Screenwriter Leaves the Sandman Movie, Saying It Has to Be a TV Show
The dream of seeing Neil Gaiman’s Sandman on the big screen remains just that—a dream, and one that’s having a load of trouble getting realized. Eric Heisserer, the latest screenwriter hired to adapt the celebrated comic book series, has departed the project.

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4 thoughts on “The screenwriter for the "Sandman" movie says it really needs to be a TV series”

  1. I think, as a TV show, embracing the tone shifts would be great, especially if done by shifting main character viewpoints. I think it needs to be a TV show, probably sonething done through Netflix or Amazon.

  2. ABSOLUTELY! You only have to look at the WATCHMEN and V films to see how the film format fails a narrative, even when it attempts to stay close to them. The subplots and characters around them make a difference.

  3. +Laura Ess I don't think either of those movies failed all that much — I could easily have had another few hours of both, but they did a reasonable effort with a combined maxiseries in a (long) movie length.

    You could thus maybe fit a TPB arc of Sandman into a major motion picture, but not only would the lack of context in a continuing story hurt, but I'd argue that there's more subtext in Gaiman's work than Moore's. (I'd also argue conversely that as stand-alone stories they are weaker for that same reason.)

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