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Back to School for Phineas and Ferb

Loved this show with a deep and abiding passion. Great humor, catchy music, tons of imagination. It's remarkable to think that it's been running for 8 years. Many thanks to Dan Povenmire and Jeff Marsh (and the cast and crew and other contributors) for something very special.

On 9 June, Disney XD will be running a P&F marathon, leading up to the 12 June series finale. After which we'll, sadly, be unable to answer the question "Where's Perry?" ever again.

(h/t +Gretchen Sher)




Goodbye, Phineas and Ferb, and Thank You for Showing My Kids What Summer Vacation Should Be Like
All children understand that summer must end. Indeed, it’s summer’s short life—just 104 blessed days of sleepaway camp and lounging by the pool and sleeping in and complaining that you’re bored, and isn’t there anything to do, Dad—that makes it so precious. If every day was summer vacation, summer vacation…

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Celebrating Super-Hero Girls

Though, to be honest, I'm not sure Poison Ivy or Harley Quinn are good role models. Or Katana, for that matter.

Still, something that's about superheroes that is targeted for females 6-12? Awesome idea.




WB and DC Entertainment in Partnership with Mattel Launch ‘DC Super Hero Girls’
A New Super Hero Universe Designed Just For Girls, Slated For Fall 2015

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Movie Review: "The Prince of Egypt" (1998)

The more I think about it, the more the first half of the movie seems to have a lot of parallels to the first Thor film, with Moses as Loki. Hmmmm …




A ★★★★ review of The Prince of Egypt (1998)
It’s been many years since I watched the Dreamworks “Prince of Egypt” — and … 1. I still like it, a lot. 2. The animation, for something 17 years old, remains highly impressive. The inevitable comparison is to “The Ten Commandments,” and the “Prince of Egypt”‘s strength is right here — less preachingness, a lot more looking at the relationship between Moses and Rameses. Brothers both under the harsh lessons of their father, Seti, the two of t…

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"it’s Big Hero 6. Not Big Hero 4 and two others."

Criminitely. Yes, it's cool that the manufacturer is at least paying some lip service to changing things — but this goes right along with the difficulty of finding Avengers material that includes the Black Widow, classic JL product that includes Wonder Woman and Hawkgirl, etc., except in this case the whole numbering scheme really calls out the problem.

Maybe boys think girl characters are "yucky" because they're pandered to having just boy characters on their t-shirts and sheets and stickers. Maybe boys actually think those girl characters are cool, but the manufacturers are making assumptions based on how they felt in 1965. Maybe enough girls would think girl characters (and boy characters) are cool to make it worth actually producing stuff with them.

(h/t +Les Jenkins)




Big Hero 6 fabric excludes girl characters because boys think girls are “yuck”: manufacturer
UPDATE (4/10/2015, 3:30pm PT): See comment from Springs Creative below.

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Movie Review: "Big Hero 6" (2014)

Finally got around to seeing it last night and, yeah, I'm sorry we didn't see it sooner and in a theater.




A ★★★★½ review of Big Hero 6 (2014)
For some reason we never got to this in the theaters, which is kind of a shame, since the big screen movements scream for it, but even on a home TV it’s a great watch, full of heroism, tragedy, comedy, and, oh, the feels. In the bonus material, the creators note they were trying to make a Disney Super-Hero movie, and, yeah, they did, complete with obligatory orphaning (in multiple axes), twist, turns, betrayal, explorations of the nature of heroi…

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RT @BassoonCPA RT @marcfennell So great! Chuck Jones’s rules for writing the Road Runner and Wile E

RT @BassoonCPA RT @marcfennell So great! Chuck Jones’s rules for writing the Road Runner and Wile E Coyote via @saladinahmed

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Father-Daughter Movie Week (Previous Edition)

I was sick while Margie was way last time, so I didn't get my reviews done.

Who Framed Roger Rabbit? (1988) ★★★½
Big story, professional acting, remarkable IP merging, but the central conceit of blending toon with reality hasn't aged all that well.
http://letterboxd.com/three_star_dave/film/who-framed-roger-rabbit/1/
(Previous review: http://letterboxd.com/three_star_dave/film/who-framed-roger-rabbit/)

Hellboy 2: The Golden Army (2008) ★★★½
Del Toro spends so much time crafting a rich, gorgeous, freaky faerie world that there's little time left for the BPRD characters to actually, you know, be character. I like the first one better.
http://letterboxd.com/three_star_dave/film/hellboy-ii-the-golden-army/

Monsters University (2013) ★★★★
MU got a bum rap for being a shoddy sequel to Monster's Inc. I like the original a bit better, but this one has nothing to be ashamed of.
http://letterboxd.com/three_star_dave/film/monsters-university/

Mystery Men (1999) ★★
I really want to like this movie. I did when it came out fifteen years ago. I probably will in another fifteen. And I'll still be mostly failing.
http://letterboxd.com/three_star_dave/film/mystery-men/

   

In Album 2015-03-06

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Looking forward to "Inside Out"

And not just because I've had some of these internal monologues before.

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Fifty Years of "Holly, Jolly Christmas"

And all the rest of the Rudolph bits and bobs, Burl Ives and Yukon Cornelius and Obsessively Conformist Dad.

Wow.




Passage: “Rudolph the Red-Nosed Reindeer”
The longest-running Christmas TV special of all is marking its 50th year on air

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The evolution of anime art

I can't speak as much for the changes from the 90s to 10s, as much as the changes from the 60s/70s to the 80s/90s, but clearly changes in audience, art technology, and aesthetic have had an influence on anime styles.




How Anime Art Has Changed: An Explainer
Anime, you’ve changed! To be honest, the look of it is always changing. Styles and fads suit each age, so let’s see how anime has evolved over the past few decades.

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Thundercats, by Arthur Adams

My hat's off to you, sir. Anyone who can make Snarf actually look menacing is okay by me.

(via http://brianmichaelbendis.tumblr.com/post/101874515209/thundercats-by-art-adams)

 

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"Guardians of the Galaxy" — the Animated Series

A teaser for the new GotG cartoon coming up in 2015. Looks fun, though it's only a brief glimpse.

(h/t +Les Jenkins, via http://www.slashfilm.com/first-look-guardians-of-the-galaxy-tv-series-footage-image/)

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Men in Black: The Series

Ran across this on a list of forgotten cartoons of the 90s — and, yeah, I'd forgotten all of them except this one — which had class, style, tied in nicely to the movie (the original one, at least), and was … well, pretty darned cool.

(via http://geektyrant.com/news/ten-1990s-cartoons-you-probably-dont-remember)

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The End of Saturday Morning Cartoons

I guess it's a matter of evolution of technology. Kids today (well, many of them) can get new and old cartoons 24×7, between broadcast, DVR, discs, streaming — heck, my daughter has watched whole anime series just off of YouTube and other Internet sites.

But there was something absolutely magic in my own youth, ninja-walking past the 'rents' door, sitting up hard-radiation-close to the TV with the volume way down to watch cartoons, until at long last the parentage would wake up, we'd have breakfast, and then my brother and I would still watch the remainder of Saturday morning as it trickled out into this and that.

Years later, I can remember watching what passed for Saturday morning cartoons with +Kay Hill, first when I'd be on Saturday morning rotation when she woke up, later when I'd come down to where she was already watching them and watch some more together.

The idea of "channels" and "time blocks" for TV is eroding away over time as TV becomes "content" and is available in a variety of forms on-demand. That's truly awesome in some ways, but losing those kinds of milestone and structure is also kind of sad.

Originally shared by +Isaac Sher:

An era has ended. It had been "dying" for years, in decline… but now, it's truly gone.

Saturday Morning Cartoons is no more.

ABC, NBC, and CBS trashed their lineups years ago, sadly, but FOX and the WB (and now CW) had kept it up. Then FOX let it wither, and today, the CW's "Vortexx", the last remaining Saturday Morning Cartoon lineup, has officially finished its last broadcast day. The era of broadcast televsion saturday morning cartoons is over, and I won't lie, I felt a serious kick in the psychic teeth when I realized this.

One of my memories from my childhood is my dad explaining what it was like to see television start from nothing, and how his favorite show was "Kukla, Fran, and Ollie". I'm going to have that conversation with Elijah one day, where I'll regale him with tales of so many things:
– Mighty Orbots, the greatest show, cancelled in its prime.
– Mr. T and his inexplicable association with gymnast children
– How the Smurfs ruled the world and spawned imitators faster than breeding rabbits
– the strange legacy of the ABC Weekend Specials ("Og!")
– wondering why BLACKSTAR only got one season
– Scooby-Doo's strange decline from sublime to wretched as Scrappy-Doo took over his show
– Fred Flintstone and Barney Rubble becoming cops alongside the shape-shifting Schmoo
– The Fonz and the gang taking over a time machine that looked sort of like an art deco jukebox
– The Dukes of Hazzard racing around the world
– the eternal debate of which Pole Position car was cooler
– Spider-Man and his Amazing Friends, in all respects
– wanting to kick Alvin in the chipmunk-nuts for being an insufferable diva asshole
– the one time the Really Rottens actually won for a change
– vague memories of Drak Pack actually being kinda cool and strong memories of Turbo Teen being emphatically not
– feverishly buying all the Jake Rockwell toys for Centurions (POWER EXTREME!)
– arranging my action figures on a coffee table so they could watch cartoons with me
– the ever-present bowl of Honey Nut Cheerios because it was the only vaguely-sweet cereal my parents would buy
– the surreal wonders of Kidd Video
– the triumphant validation of the Dungeons & Dragons cartoon making my hobby cool with my classmates for a time, crying deep tears of emotion when Uni gave up living in the secret unicorn grove so she could stay with Bobby instead
– rolling my eyes at the attempt to make Menudo interesting
– watching the rough animation for cues — "that part of the wall's not the same color, it's a secret door — CALLED IT!"
– staying up late on friday evenings in september to watch all the Saturday Morning Preview shows with awkward sitcom guest stars so I could make a detailed schedule of what to watch for that fall's new season
– the Pokemon craze taking over the WB network's every waking moment
– watching Xiaolin Showdown and FILLMORE! every saturday morning years later with +Gretchen Sher as we bonded over our mutual love of these crazy shows that informed our childhood and beyond …

I could go on for hours. The memories I have of the Saturday Morning Cartoon lineup are deep, wide, inconsequential and all-important, quiet and intense, all in equal measure. A cultural institution has died, and I will mourn its passing. I wanted so much to have the experience of sitting on the couch with my son as I introduced him to this morning of wonder, as I would discover with him what would be the Smurfs and Orbots and Wheeled Warriors of his generation. Instead, I'll have to settle for bittorrenting the old shows and possibly failing to explain what I saw in those dated relics, and letting him pick from his favorites on youtube or netflix or some other online venue. And that's fine, but it won't be the same, and I can't help but feel that something important has been lost.

I leave you with perhaps the most iconic opening of all Saturday Morning History, the late 70's and early 80's intro to The Bugs Bunny & Road Runner Show:

OVERTURE! CURTAIN! LIGHTS!
This is it, the night of nights
No more rehearsing and nursing a part
We know every part by heart…

Goodbye, Saturday Morning Cartoons. Thank you. For everything.

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A fine evening with "Animaniacs LIVE"

This was actually the national premiere of "Animaniacs LIVE," right here tonight in Colorado, and I can heartily recommend it as a musical show to attend.

So you might think, "Hey, it's a concert about a cartoon, so it's for little kids, ho-hum." _Au contraire._ For starters, "Animanics" was a Steven Spielberg-produced zany Warner Bros. cartoon that ran from '93 – '98, endeavoring to be both subversively adult and delightfully childlike, in the model of the old Chuck Avery cartoons. While a lot of the humor was topical (lots and lots of mention of the Hollywood celebs of the era), there was also a lot that was timeless, and the music was a rich mix of jokes, satire, patter song, and generally clever lyrics.

(The "I'm Mad" song is one of the more conventional ad hoc segments, but one of my favorite tunes — one that will certainly appeal to anyone who's herded kids in a car.)

This concert show is an homage to the show, essentially a series of musical numbers interspersed with chat about the show and how it was mad. The key here, though, is the folk who are in the show. The main stars, on-stage the full time and doing most of the heavy lifting, are Rob Paulson (the voice of Yakko, Pinky, and Dr Scratchansniff) and Randy Rogel (one of the writers and songwriters for the show). Also appearing for some of the musical numbers were Tress MacNeille (Dot) and Jess Harnell (Wakko). Rounding out the cast were Julie and Steve Bernstein who provided both some singing backup and conducting.

Having the full Colorado Symphony Orchestra for the show was amazing — though the music was written for such an orchestra (something Spielberg insisted on). At times, given we were just a few rows back from the stage edge, the native sound of the CSO overwhelmed the micced singing of the players, but overall it was nicely done.

Some of the segments included the original animation projected on the screen behind the orchestra. This was particularly used for the list songs: "Yakko's Universe," "Yakko's World," "Wakko's America."

Given that the show was 15-20 years ago, the talent is still pretty strong. Rogel (who does much of the singing) is solid, as is Paulson (suffering from just a bit of raggedness at his upper range). MacNeille and Harnell were weaker in the pipes, but they made up for it in enthusiasm (echoed from the audience).

Indeed, enthusiasm was the order of the evening here, with Paulson and Rogel taking the lead. Paulson, in fact, seemed like the happiest guy on the planet to have this show going and the large and receptive audience in attendance. The whole cast was having fun, which, especially given the subject matter, made the audience have fun, too. That audience was made up of all ages, from a few kids up through older orchestra-goers, and a lot of people who grew up with (or whose kids grew up with) "Animaniacs."

The first act of the show was the strongest, hitting on a variety of key songs from the animated series. The second half fills in with a lot of other music that Rogel has composed for animated shows, including a number from the WB cartoon series "Histeria!". These are all good and very much in line with the "Animaniacs" material, but somehow didn't feel quite as engaging as the first act material, even though the show concluded with a rousing full-cast and -audience sing-along to the "Animaniacs" theme song, as well as a specially composed extension to "Yakko's World" for the encore that included all the nations that have been created since the original song was written.

Overall, though, it was a fine, entertaining evening, with much laughter and applause to be had. I hope they have a long and successful run, and if they hit Denver again, I'll definitely look to pick up another set of tickets.

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It's Time for Animaniacs

No, really, it's time. To go to the show. Yay!





The Colorado Symphony | Animaniacs LIVE presented by Arrow Electronics

Scott O’Neil, resident conductor. Randy Rogel, writer. Rob Paulsen, Yakko and Dr. Scratch ‘n’ Sniff Jess Harnell, Wakko Tress MacNeille, Dot Julie and Steve Bernstein, composers. Animaniacs, a mix of old-fashioned wit, slapstick, pop culture and music, fueled the animation renaissance of the …

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Well, blow me down!

Popeye has never been my favorite animated character, but in the hands of Genndy Tartakovsky, I could checking this movie out in the theaters.

Full article here: http://www.slashfilm.com/genndy-tartakovsky-popeye-test-footage/

(h/t +Les Jenkins)

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Usagi Yojimbo and "The Last Request"

It's a proof-of-concept work from LintikaFilms to get the rights for a feature-length work. It has some rough spots, but it's glorious to see stop-action Usagi.

(via +GeekTyrant) 

"No more mutants!"

An article about (and feeding into) the paranoia of some of the X-title fans about how Marvel is neglecting the franchise in favor of comic books around properties which they own full movie rights to.

Because, of course, if you were doing that, you would put one of your most popular writers, Brian Bendis, overseeing the X-title (and solid art and writing talent across the line). 

There's no question that Marvel's been promoting the hell out of the Guardians of the Galaxy leading up to the movie. But I don't see any more focus on Avengers (and the components thereof) than the X-folk. The Fantastic Four are something of a mess, but that's more the current regime than something that's been a long-term strategy I've seen. Similarly, it's not like Spider-Man hasn't been a major component of Marvel's output, either.

I'd say that Marvel will in fact do stuff (including merchandising deals) that net them the most money, but they also (to the extent the comics still matter in the overall Disneyverse) recognize the whole creative portfolio is of value. So the X-Men, Spider-Man and the Fantastic Four will still be flagship franchises, but expect that any title tied to an upcoming movie will get some extra (and understandable) love.

Reshared post from +Alisande Morales

Interesting take, what do you think?

Why Marvel wants the X-Men to fail
Is Marvel actively trying to downplay the X-Men? It would actually make a lot of sense for the company.

A couple of summers ago in a galaxy far, far away

+Kay Hill wrangled us into watching the "Phineas and Ferb" Star Wars special last night (it's still available on On Demand on Comcast, at least), and, damn, it was a hoot. They managed to graft the characters — in-universe versions of them — into the "A New Hope" (mostly) storyline, with the main movie going on and the characters subtly participate in it. With musical numbers.

It's extraordinarily cleverly done, and a hoot to boot, esp. if you like the (always funny and clever) "Phineas and Ferb" cartoon.

If for no other reason, this one show made me glad that Disney bought the Star Wars franchise.