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The Return of … Babylon 5?!

It’s Woot-astic! Joe Straczynski, at the San Diego Comic-Con, announced all sorts of stuff.  A correspondent to AICN recorded the following most significant item (to my mind): direct-to-DVD B5 releases called…

It’s Woot-astic!

Joe Straczynski, at the San Diego Comic-Con, announced all sorts of stuff.  A correspondent to AICN recorded the following most significant item (to my mind): direct-to-DVD B5 releases called Babylon 5: The Lost Tales.

The biggest announcement I’ll paraphrase: Every 6 months, I get together with WB to discuss what to do something with B5. The DVD sales have raised over 500 million in revenue. Now, I produced B5s 110 episodes at about 90 million dollars. Somehow, B5 is still 50 million in the red. Every time I mention that to WB they say We made a good deal, huh? Anyway, they asked if I wanted to do a feature film but I declined mainly because I can’t yet picture structuring a B5 movie as long as [Andreas Katsulas] and [Richard
Biggs] insist on staying dead. Maybe in a year or two I’ll be able to but right now I can’t do something big and those two roles will NOT be recast.

So I thought about it, and I suggested a bunch of short films. Little mini-movies or an anthology show set in the Babylon 5 universe. I pick a character and develop an hour-long story around that character. Stories that I wanted to tell during the B5 series but never had the chance to develop. They said, Okay. I said I wanted complete creative control. Do not change my words that I write, and I want that in writing. They said, Okay. And I want to direct. They said, Okay.

This project was green lit less than two weeks ago. Its going to happen. Production starts in September in Vancouver, Canada. Post-production will occur from October to February with a release of the first three anthologies in the second quarter of 2007.

On the B5 Mailing List, Joe added this:

[W]e’re looking at 3 half-hour episodes/stories for the first DVD, with additional features and the like in the other half hour. Each story will be worked around a given established character, the specifics of which are still TBD contingent upon availabilities and other issues.

We have a budget, we’re greenlit, we’re going.

As for what prompted the interest now at WB…it’s only recently that they’ve finally run through all 5 seasons, which for many years now has been a constant source of revenue, and I think they would love to have something to continue to with. The recent news re: Changeling probably didn’t hurt, but the deal was actually being negotiated long before there *was* a feature film deal with Imagine. As I recall, we finalized the deal right around the time that the Imagine news was announced.

It was a rather extraordinary 24 hours.

All sorts of other stuff announced by JMS, too:

  • As previously reported, a 1920s thriller/mystery movie called Changeling was sold to Ron Howard (the Imagine deal mentioned above).  It’s expected to be a big budget film, in production in early next year, and has made enough of a splash that, all of a sudden, JMS is big news in certain Hollywood circles.
  • The CBC will be broadcasting a 12-episode radio series by Joe called The Adventures of Apocalypse Al, a noir sf comedy along the lines of Men in Black or Hitchhikers Guide.  Joe notes that it will eventually migrate to US radio and CD.
  • Touchstone is starting production on a pilot for a dramatic prime time series called Borrowed Lives.
  • Rising Stars, Joe’s “real life” super-hero maxi-series, is in development with Sam Raimi’s production company for a TV series.
  • Midnight Nation, another Joe comic mini-series, is being bid on by two different movie studios.
  • A major studio is evidently interested in his one-shot Dream Police for a movie, to be written by Joe.

Triffic stuff.  I think there’s a lot of room for anthological tales of the B5 universe — a whole post-Season 5 world, at the very least (which would deal with several years having passed for the actors, too).  While many other TV SF shows have grabbed onto my heart since B5 went off the air — Farscape, Firefly, Battlestar Galactica, Doctor Who — Joe’s show holds a very special place for me.  Here’s hoping it’s a success.

(via Les)

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3 thoughts on “The Return of … Babylon 5?!

  1. My favorite comment from his panel: “I’ve worked in Hollywood for many years and I thought I knew what the money train was like, but I was wrong. You’ve never seen the money train until you work on a major motion picture. I thought they might need a truck to deliver the check!” Major Joe – and I’m looking forward to the series.

    Since Walter Koenig was at the Con on Sunday and was also glad to hear about the series, I’m also hoping for a return of Bester. Remind me next time we’re together and I’ll tell you some good Trek stories that I heard.

  2. A fascinating post from JMS on the B5 list:

    I am living in such strange times right now. So I figured I’d share them.

    Prior to the announcement of “Changeling,” my film agent tried to get me to understand what would happen in the aftermath of that announcement, even though he said “you really won’t get it until you’re in it.”

    I had no idea.

    See, there’s a real class structure to this industry. A list directors only buy scripts from A list writers. That’s kind of the rule, with very few exceptions. I’ve been working in the TV business for over twenty years, but in features I’m kind of an unknown equation. Always have been, mainly because I really haven’t sought it out much; I figure films are like going to Vegas, you can invest years in one shot at the dice. So I stick to TV. I thus have not been in that class of A list
    writer. Nowhere near.

    When Imagine and Ron Howard bought that script, the effect was electric. Suddenly everybody in town wanted to know who the hell was this guy they’d never heard of who just sold a script to Howard and, in essence, jumped the line from “who?” to A-list without much in-between. Twenty years in TV, now suddenly an overnight success.

    Within hours of the announcement, every studio in town was calling my agent to get a copy of the script. As it got read, they started calling to set up meetings. Not us calling them. Them calling us.

    And then the offers started. Rewrite offers. Original film offers. Adaptations. I’ve had no less than one and in many cases two or three studio meetings every day for the last several weeks, and my calendar is one big mass of black type for the next four weeks. A big-budget feature that Sony wants me to rewrite because it has to go into production fast, one that Universal wants developed, on and on and on…all I have to do is say yes to whichever ones I want and they’re mine. Everything I’ve ever written is suddenly being pored over and optioned.

    I have never seen anything like it. I’ve read about this sort of thing, but to experience it personally is…strange, so strange. The stuff I’ve had out there before, the novels and short stories and the like, are all exactly what they were before this…the words didn’t change on the page, the stories didn’t alter, but suddenly the *context* in which they are being seen has changed radically.

    I’m being very, very careful and very selective in what I say yes to, because I want to make sure whatever I take on adds to rather than subtracts from the momentum we’ve now achieved.

    The really odd thing is that I’m not running around, jumping up and down, celebrating or hooting or hollaring or any of that. It’s moved me in the other direction, I’ve gotten really, really quiet, and careful. It’s like all of my antennae are up. Everybody around me is thrilled, and can’t figure out why I’m being so reserved. I’m not really sure myself, to be honest. Just a strange sort of wariness, like when I’d move to a new neighborhood as a kid and I’d go quiet while I sussed out the area.

    Odd. Nothing bad, it’s all to the good, lord knows. Just odd. Very odd.

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