https://buy-zithromax.online buy kamagra usa https://antibiotics.top buy stromectol online https://deutschland-doxycycline.com https://ivermectin-apotheke.com kaufen cialis https://2-pharmaceuticals.com buy antibiotics online Online Pharmacy vermectin apotheke buy stromectol europe buy zithromax online https://kaufen-cialis.com levitra usa https://stromectol-apotheke.com buy doxycycline online https://buy-ivermectin.online https://stromectol-europe.com stromectol apotheke https://buyamoxil24x7.online deutschland doxycycline https://buy-stromectol.online https://doxycycline365.online https://levitra-usa.com buy ivermectin online buy amoxil online https://buykamagrausa.net

Just the facts, ma’am

For birthday, Margie gave me two of the books from my Amazon wish list: Just the Facts, Ma’am: The Authorized Biography of Jack Webb (Moyer and Alvarez), and My Name’s…

For birthday, Margie gave me two of the books from my Amazon wish list: Just the Facts, Ma’am: The Authorized Biography of Jack Webb (Moyer and Alvarez), and My Name’s Friday (Hayde).

I’ll probably do more thorough reviews on Amazon, but the latter book is a much better read — and a better biography of Webb, and of his cinematic works.

The former work gets into more detail in some places, due to a number of interviews — but is clearly twisted by those interviews, and talks of Webb and his works uncritically. The narrative is difficult to follow, and twists and turns on itself, and has an annoying tendancy to include lots of weaselly “seems” and “appears” and “is said to,” even though these are never directly footnoted. There is a strong bibliography in the back, and the writers were working with Webb’s daughter before her death — which both explains some of the early detail on Webb’s life, as well as the generally favorable tone they give to the man.

Hayde’s work is organized well and chronologically. All of Webb’s works, including the different renditions of Dragnet are gone into in detail, and Webb’s evolving relationship to the show, and to his own creative genius and his Hollywood
“star” are made understandable.

Most people have a stereotyped view of Webb and his “wooden” Sgt. Friday style, not realizing that he was a pioneer of early television, both stylistically and technically, and that his contributions have affected TV dramas to this day. Law & Order‘s Dick Wolf is the first to credit Webb as an inspiration for his show. While it’s easy today to poke fun at Webb, consider the “watchability” of other dramas of the different eras he produced in — Dragnet on the radio (’49-’55), and on TV (’51-’59, ’67-’70), not to mention Adam-12 and Emergency. His impact on the medium was at least that of a Lear or a Bochco.

Good stuff. Thanks for the gifts, honey.

Tales from the Third Age

In 1971, I received a boxed set of The Lord of the Rings, a Christmas gift which I believe came from my mom’s parents. (I do recall we were there…

In 1971, I received a boxed set of The Lord of the Rings, a Christmas gift which I believe came from my mom’s parents. (I do recall we were there for that Christmas, but I can’t remember from whom the gift came — it doesn’t sound like something they would have gotten. I have a vague sense it might have been from one of my Nona’s employers. Weird.)

It was the Ballentine paperback edition, the “authorized” one (complete with the slightly irked message from JRR on the back referring to the “unauthorized” Ace edition that had come out earlier). These were the ones with the sort of surreal fantasy landscape, not the pretty white ones with the Tolkien illustratinos on the cover.

I started The Fellowship of the Ringfour, five, six times. I’d never read The Hobbit, so all the chit-chat about the Shire was … well, unbelievably dull. And cutesy. And silly. Yeah, there was some indication that Things Might Be Otherwise Elsewhere, but for every bit of meaningful frowning by Gandalf, there was a digression about what types of fireworks he’d been crafting, and how the kids all loved them.

Fantasy was an unfamiliar genre for me. I was hot and heavy into Sci-fi — Asimov and Heinlein and Norton and Nourse and Del Rey and Silverburg. I’d raked through the SF section of the local library. I’d also combed through the Mythology section, too. But Fantasy — aside from some L’Engle — was still missing from the shelves.

FotR became my perennial camp-out book, during my days in the Boy Scouts (about which miserable experience more some other time). It kept getting dropped into my pack, and then pulled out to read in my sleeping bag by flashlight. And I kept getting about as far as the Birthday Party. The book kept getting more and more ragged, and an unfortunate banana stain appeared on the front cover from a mis-packing.

Time passed. I got into high school. And my friends, Erick Melton and Jim Merino, suddenly started ranting and raving about those Lord of the Rings books. Greatest thing since sliced bread. They talked about Hobbits, and Elves, and Dwarves, and Orcs, and Balrogs, and the Rings, and battles and swords and cool stuff like that. They, and others, were way into it. They couldn’t talk about anything else.

It sounded great.

It still took me another two tries before I got past the Birthday Party, and then more chit-chat at Bag End, and then nattering about mushrooms, and then the Old Forest … and … then …

Oh. My. God.

I devoured the rest of the books in record time. Though conversation had moved on amongst my friends, I dragged it back to LotR. Triffic stuff. Positively triffic.

I was an inveterate collector of useless data in those days. (Today I am much the same, but since so much is already on the Internet, I just collect links to useless data.) I had (and still have, somewhere), charts and charts comparing different WWII tanks and planes. LotR was a natural, once I discovered that JRR had done his homework.

I mean, there was real language here. And in cool, foreign lettering. And, best of all, maps!!

Thus began a decade-long obsession with Tolkien stuff. I made up similar alternative calendars. I did some rudimentary language. I did blow-ups of the maps, long-hand. I practiced writing things in Tengwar, and in Runes.

I got a first-edition Silmarillion when it came out.

And then time passed, and there were Official Books out on Tolkien’s worlds. I found the Silmarillion dull. I found other authors and things to obsess about.

There were occasional flashes of resurgence. I kind of enjoyed the Rankin-Bass productions of The Hobbit, and, to a lesser extent, The Return of the King (both of which were best when they stuck to the story and the musical lyrics Tolkien had written). I got wildly enthusiastic again when Bakshi was going to do the movies in animation — and then was disappointed by the results.

And now, some thirty years after I got the books, the first movie is out.

Kids today. Don’t know how lucky they have it.

(Image via Isildur’s Lair)

If we writers have offended …

More news on the media event Book Burning the other day in New Mexico. Though Harry Potter was the main course on the BBQ, there were others: Harry Potter books,…

More news on the media event Book Burning the other day in New Mexico. Though Harry Potter was the main course on the BBQ, there were others:

Harry Potter books, though the epicenter of the burning, were not the only literature put to the flame. Other books, including novels written by fantasy pioneer J.R.R. Tolkein, “Star Wars” material and “The Complete Works of William Shakespeare” met a fiery fate. Popular fashion magazines such as “Cosmopolitan” and “Young Miss,” and various adult magazines, were also burned. Even a ouiji board was tossed on the fire.

Yeah, “Young Miss.” There’s a recruiting pamphlet of Satan for you.

What’s getting annoying about this is that the burning was clearly done as a publicity stunt, advertised in advance and with media invited. This, of course, gives the nutsos the audience they dream they deserve.

Of course, fair use allows them to do anything they want with the media they purchase. Which means they paid royalties to those publishers. So there.

Unless, of course, any of those volumes were stolen from a library. In which case, they are thieves.

Actually, what’s particularlly annoying is that it was the burning of Harry Potter books that got all the mainstream publicity. They were burning Tolkien fer Christ’s sake. Jeez.

(Via Boing Boing)

Welcome to the 21st Century

More Harry Potter book burning. Yee-hah! “These books teach children how they can get into witchcraft and become a witch, wizard or warlock,” Brock said. Members sang “Amazing Grace” as…

More Harry Potter book burning. Yee-hah!

“These books teach children how they can get into witchcraft and become a witch, wizard or warlock,” Brock said. Members sang “Amazing Grace” as they threw Potter books, plus some other books and magazines, into the fire.

Yup. They show all the steps. All you have to do is get an invitation to Hogwarts via owl post, then make your way to Platform 9-3/4 at Kings Cross, and you’re all set to become a foul minion of Satan!

Yeesh.

Those MIT zanies

MIT and Cal Tech seem to compete as two who can do the best pranks, usually technological (duh). But this one is nice and elegant. (For the clueless out there,…

MIT and Cal Tech seem to compete as two who can do the best pranks, usually technological (duh).

But this one is nice and elegant.

(For the clueless out there, that’s the elvish Tengwar script from Tolkien’s Lord of the Rings, with the inscription from the One Ring — “One Ring to rule them all / One Ring to find them / One Ring to bring them all / And in the darkness bind them.”)

I expect, of course, that the Cal Techies will appropriately take over the Rose Bowl scoreboard on the 3rd …

(Via Xkot)

Potter and Hobbits – Racists through and through

Chris Henning, in the Sydney Morning Herald opines that children’s tales such as the Harry Potter series or the Lord of the Rings, are “fundamentally racist,” and appeal to us…

Chris Henning, in the Sydney Morning Herald opines that children’s tales such as the Harry Potter series or the Lord of the Rings, are “fundamentally racist,” and appeal to us on that basis.

Yeah. Of course. It’s obvious now that he mentions it.

The appeal of the Lord of the Rings is fundamentally racist. Middle Earth is inhabited by races of creature deeply marked off from one another by language, physical appearance, and behaviour. It is almost a parody of a Hitlerian vision: orcs are ugly, disgusting, brutal, violent – without exception; elves are a beautiful, lordly, cultured elite; in between are hobbits, short, hairy, ordinary, a bit limited, but lovable and loyal and brave when they have to be.
Individuals within races don’t vary from the pattern. To know one is to know all. The races are either dangerous or they are benign. An orc – any orc – is without question an enemy. A hobbit would never side with an orc.

Okay, let’s consider this.

There’s a certain, shallow accuracy to what Henning writes. We don’t see any orcs turning coat and helping the good guys.

However, the sides are not quite as monolithic as that. There’s conflict in the Shire — with some hobbits siding with Saruman when he shows up there, and others working hand-in-glove with the Ringwraiths. The elves are divided, too — intervene or stay aloof or just high-tail it. The humans are certainly divided amongst different camps.

The “good guys” also fight between themselves. Elves and dwarves have an ancient conflict. Hobbits mistrust humans. Humans mistrust elves. Heck, in The Hobbit, the whole kit-n-kaboodle get into a big battle.

And that’s where this thesis begins to fall apart further. Tolkien’s message, in both The Hobbit (at the Battle of Five Armies) and in LotR is that we of good will must hang together, or else we shall surely hang separately. The Fellowship itself represents an unprecedented alliance of elves and dwarves (who work through their racial differences to become the fastest of friends), along with humans of different factions, and, of course, hobbits. When they work together, they succeed. When they fight amongst themselves, they fail.

Is there some “black and white” thinking in LotR? Well, yes, orcs are evil, and, as “corrupted” elves, that’s all they really can be. You can call that racist if you want, but you might as well call the fixation on Aragorn’s bloodline as being racist, too. It’s a standard element of myth, folks, and perhaps it’s an antequated version of “Us vs. Them,” with the orcs as Them/Outsiders/Enemies, but I don’t know that the LotR would have been any better, or more meaningful, had one of the orcs turned out to be a lover of flowers and elves and trees.

What about Harry?

But … but … Harry and his friends are members of an elite. They are not a race, but their powers are handed down the generations from parents to children. The skills must be inherited before they are developed with teaching at Hogwarts. The reader quickly identifies with this genetic elite, the wizards such as Harry, and despises the talentless, boorish muggles.
How we laugh when the Dursleys get into difficulties! They deserve it. They are, after all, just muggles – hapless, fat, brutal and stupid. They’re all like that. Go on, Harry, hit them again and watch them cry.

Where to begin, where to begin …?

Okay, as a parody of English boarding schools, there’s going to be a certain measure of “eliteness” about the setting. That having been said, everything in the series counters Henning’s thesis. The Dursley’s aren’t despised because they’re magic-less muggles. They’re despised because they are cheap, petty tyrants and spoiled brats, oppressing Harry because he is special.

Indeed, much of the magical behind-the-scenes society seems designed to help protect muggles. Magic is not to be used among them, for example. Muggles, and those wizards who come from “mixed” families, are looked down on — but only by the elitists like Draco Malfoy, who is clearly painted as an undesireable, hateful character.

Without attributing too much profundity to the Potter series, it seems that it’s designed more as a glorification of the Everyman than of the elite. Harry’s just a normal kid, raised amongst muggles. Ron’s family, though magical, is poor, and he has to face that challenge against the rich Malfoys of the world.

Are the wizards of Hogwarts an elite? Well, they certainly have talent and skills — some inherited, some trained. But that’s life. My mother has both talent and skill as a violinist — some native, some trained (and practiced, and practiced, and practiced …). That makes her an “elite” in some way, but a book that glorified the wonders of life at a music academy wouldn’t be accused of racism, would it?

Does holding the idea that some people have special talents in some areas that others do not make one elitist, or racist? I sure hope not.

Harry and the hobbits, with their takeaway racism, offer the same comfort for the whole world: join our tribe, be special with us, despise our subhumans.

I’d say Mr. Henning is trying to read his own political message into these books — and the books belie him at every turn.

(Via Xkot’s Discussion Board)

Y’know, if it were a good book …

Somewhere along the line, I’ve lost my copy of Brust’s Athyra. Now, this is commonly accepted as the weakest of his Taltos series. And I agree with that assessment. I…

Somewhere along the line, I’ve lost my copy of Brust’s Athyra.

Now, this is commonly accepted as the weakest of his Taltos series. And I agree with that assessment. I remember being disappointed when I finished it, something I am Generally Not when reading that series.

Still, I’d like to have the book, just to read it again.

But not for $25.

That’s the going price, at least in the Amazon marketplace, for copies that come on the market. The book is out of print, and those who are selling theirs are selling them for about that price. And, amazingly, some folks are actually buying them at that price. Yeesh.

And annoying. I usually get about one Amazon Alert about it a week. Presumably they could make a nice bundle of money, reissuing that particular volume. Is anyone listening?

Why Tolkien is better than Rowling

Brian Carney in the WSJ analyzes two tales of magic that are on the screens this winter, and determines that Tolkien’s Lord of the Rings is much more sophisticated and…

Brian Carney in the WSJ analyzes two tales of magic that are on the screens this winter, and determines that Tolkien’s Lord of the Rings is much more sophisticated and moral than Rowling’s Harry Potter.

This kind of moral complexity is simply absent from Ms. Rowling’s books. Contrast Tolkien’s careful use of the ring with Ms. Rowling’s rather flip use of another great artifact of legend, the philosopher’s stone. Alchemists believed the stone would turn lead into gold. As a bonus, it was also thought to confer eternal life. The conceit of “Harry Potter” is that such a stone has been made and the bad guy wants it.

This is a setup worthy of Tolkien; indeed, it mimics his tale in vital respects. But Ms. Rowling’s story manages to bring to light none of the moral dilemmas–of mortality, wealth, power–that the existence of the stone naturally suggests. The reader simply accepts as given that both sides want it, no particular importance is assigned to its powers and Harry never shows any interest in using it. He merely wants to keep it away from the bad guy. Once that’s accomplished, the stone drops out of the story, like a token at the end of some video game.

In Tolkien’s world the temptation of evil is one that all, or nearly all, of his characters must confront. The argument of Tolkien’s tale–controversial, to be sure–is that, while intentions matter, the way we act is far more important than why we act. His story, for all its narrative brio, presents a serious rebuttal to the idea that good ends justify using evil means.

Well, duh.

I mean, Rowling was out to write a good story. Tolkien drew on grand themes, intentionally creating an epic with profound ethical implications. Both succeeded, but to compare the two is like comparing … well, Goldfinger and Lawrence of Arabia.

Still, it’s an interesting article. And it made me want to catch the first installment of LotR even more. Got to arrange a sitter for the 19th ….

(Via InstaPundit)

And in entertainment news

“America.01,” an ABC news show that was about the 9-11 terrorist attacks, how the aftermath is affecting the US, and the War on Terrorism, was cancelled after two lackluster showings,…

  • “America.01,” an ABC news show that was about the 9-11 terrorist attacks, how the aftermath is affecting the US, and the War on Terrorism, was cancelled after two lackluster showings, and replaced with “America’s Funniest Home Videos.” Please feel free to make the sarcastic remark of your choice.
  • The next Star Wars film opens on 16 May 2002. Mark your calendars.

  • The (truly) final installment of the Hitchhiker’s Guide to the Galaxy series, A Salmon of a Doubt, will be published next May as well, on the anniversary of author Douglas Adams’ death. The book was incomplete, but has been pulled together and finished (by whom?) based on computer files Adams left behind.

(via 24-Hour Drive-Thru)

Aha! It was the Russkies behind it!

There’s an Internet story going about that bin Laden was “inspired” by Russian-born Isaac Asimov’s seminal sf novel, Foundation. Supposedly that word is an alternate translation for al Qa’eda. The…

There’s an Internet story going about that bin Laden was “inspired” by Russian-born Isaac Asimov’s seminal sf novel, Foundation. Supposedly that word is an alternate translation for al Qa’eda. The story tries to draw vague parallels about a crumbling empire, a distant “foundation” whose leader communicates by video tape, and stuff like that.

Frankly, it seems like a bizarro stretch to me, especially since there is very little if anything philosophically similar between Asimov’s Foundation and bin Laden’s al Qaeda. The Foundation wins its battles against the decadent Foundation through superior science and free enterprise, neither of which seem high on the terrorists’ list of things to pursue. Further, the Foundation largely functions defensively, and is governed more or less democratically. There are no suicide attacks on the Empire. No random bombings. No terror utilized whatsoever, that I can recall.

Now, if Charlie Manson can think that the Beatles are writing songs just for him, I suppose bin Laden might draw on a similarly odd channeling (or bad memory) to be “inspired” by Asimov (a peaceful and intellectual man). But it sounds … kind of screwy. Using the same vague logic, I imagine I could claim that he was inspired by Heinlein’s Starship Troopers, Haldeman’s The Forever War, or Cole & Bunch’s Sten series. Or, for that matter, Tolkien’s Lord of the Rings trilogy.

Sometimes a cigar is just a cigar. Especially when it comes in a cigar box from a cigar store.

(Via InstaPundit)

Checkout

The Invisible Library “The Invisible Library is a collection of books that only appear in other books. Within the library’s catalog you will find imaginary books, pseudobiblia, artifictions, fabled tomes,…

The Invisible Library

“The Invisible Library is a collection of books that only appear in other books. Within the library’s catalog you will find imaginary books, pseudobiblia, artifictions, fabled tomes, libris phantastica, and all manner of books unwritten, unread, unpublished, and unfound.”

What a charming idea.

(Via Textism)

Cthulhu Needs No Copyright, Crunchy Mortal!

H.P. Lovecraft in the public domain? So says this site. Read it all, then wait to see who knocks on your door first, Scuttling Minions of the Elder Gods, or…

H.P. Lovecraft in the public domain? So says this site. Read it all, then wait to see who knocks on your door first, Scuttling Minions of the Elder Gods, or Scuttling Lawyers of the Book Publishing Industry.

The horror … the horror …

(Via Boing Boing)

Synchronicity

I’ve been reading William Goldman’s Adventures in the Screen Trade, his autobiography/expose of his screenwriting career. It’s really a good book — a bit dated as far as names go,…

I’ve been reading William Goldman’s Adventures in the Screen Trade, his autobiography/expose of his screenwriting career. It’s really a good book — a bit dated as far as names go, but still an entertaining description of how Hollywood works.

So over the last few days I’ve been reading the section of the book on Butch Cassidy & the Sundance Kid, a movie I’ve never seen.

And this morning, on the History Channel — an examination of the movie from an historical perspective.

That goes right along with my earlier this week having read his section on the making of A Bridge Too Far and then running across, also on the History Channel, a “History’s Blunders” on Operation Market-Garden.

Weird.

(Actually, what’s weird was that I read the screenplay, knowing Robert Redford and Paul Newman starred, but not knowing who played which role. I got it the wrong way around, which made seeing some film clips of the actual movie — a bit surreal.)

Down the Mysterly River

Down the Mysterly River A new book by Bill Willingham, best known (to me at least) as the comic book writer (and sometime-artist) of Elementals, Pantheon, and the, ah, mature…

Down the Mysterly River

A new book by Bill Willingham, best known (to me at least) as the comic book writer (and sometime-artist) of Elementals, Pantheon, and the, ah, mature title Ironwood. This is a juvenile story, a fairy tale adventure — but something adults can sink their teeth into as well. Really fun, oddly disturbing, well-recommended. I read it on the plane to/from this most recent business trip. It read quickly, but well. I plan on rereading it again.