Gob and gobs of them. For bandwidth’s sake, we’ll do this down in the “MORE” area …
Comics, comics, comics!
Gob and gobs of them. For bandwidth’s sake, we’ll do this down in the “MORE” area ……
Gob and gobs of them. For bandwidth’s sake, we’ll do this down in the “MORE” area ……
Gob and gobs of them. For bandwidth’s sake, we’ll do this down in the “MORE” area …
Lots and lots and lots … And here are the reviews….
I’ve not been much into on-line comics, but it’s worth reading Warren Ellis’ Superidol story. Since it’s written by Ellis, you can know in advance that it will be weird,…
I’ve not been much into on-line comics, but it’s worth reading Warren Ellis’ Superidol story. Since it’s written by Ellis, you can know in advance that it will be weird, disturbing, and intriguing — sort of like Rod Serling on depressants.
Been a little bit, but here are some reviews of What I’m Reading ……
Been a little bit, but here are some reviews of What I’m Reading …
John Buscema passed away 10 January, according to the Comics Buyer’s Guide. Though he never topped my Top Ten list, and a lot of current comics readers may not have…
John Buscema passed away 10 January, according to the Comics Buyer’s Guide. Though he never topped my Top Ten list, and a lot of current comics readers may not have heard of him, he was one of the great classic Silver Age comic book artists. With apologies to Barry Smith, for example, Buscema was IMO the definitive Conan the Barbarian artist for Marvel. He also sticks out in my mind for his time on Captain America, Thor, and The Silver Surfer.
Buscema’s greatest strength was the ability to portray a powerful, yet graceful strength. His characters were Heroic, but any distortion to the human form came naturally — his muscular characters were simply larger than life, not steroid-hyped monstrosities.
His stuff still looks good today.
He will be missed.
More comics reviews ……
More comics reviews …
Oh, yeah….
Yeah, no kidding. More comics reviews below. Read at your own peril….
Yeah, no kidding.
More comics reviews below. Read at your own peril.
Finishing the list of the 100 (er, 25) Greatest Marvels of All Time, as elected by the readers and reprinted by Marvel itself. 2. Fantastic Four #1 (Nov. ’61) The…
Finishing the list of the 100 (er, 25) Greatest Marvels of All Time, as elected by the readers and reprinted by Marvel itself.
2. Fantastic Four #1 (Nov. ’61)
The idea of four friends ‘n’ lovers who are turned into metahumans by no intent of their own, and who, though they take on heroic roles, are still possessed of personal foibles, who quarrel, who have feet of clay — well, it’s old hat now. When Lee and Kirby did it — whichever one of them did what in it — it was revolutionary. While the “bad guy” in this premiere issue is the fairly forgettable Mole Man, it’s still interesting to see how the Marvel Age really began. You can have your Spider-Man, I’ll take the FF. Speaking of which …
1. Amazing Fantasy #15 (Aug. ’62)
This was almost a foregone conclusion — the issue that introduced Spider-Man. Okay — another archetype was born here — the Angsty Teen with Super Powers. And it’s probably never been done better than in the early Lee/Ditko days, with a freshness that all the repetitions since have not recaptured. And the final lesson, that “with great power there must also come — great responsibility” has set the tone for comics ever since, despite the efforts at grim and gritty. Amazing, indeed. I’d quibble over the order of these two, but they probably deserve the top two spots between them.
I am badly behind in my comics reading. Worse yet, I have all of my time in Faerie’s books sitting in the pull bin at Mile High Comics in Littleton….
I am badly behind in my comics reading. Worse yet, I have all of my time in Faerie’s books sitting in the pull bin at Mile High Comics in Littleton.
And worst of all, I’m way behind in my comics reviews.
Dork Tower is one of the funnier strips/comics out there. This one pretty well relays how I feel about LotR. (Via Doyce)…
Dork Tower is one of the funnier strips/comics out there. This one pretty well relays how I feel about LotR.
(Via Doyce)
New commercial for Lord of the Rings. My God. It looks almost as good as sex….
New commercial for Lord of the Rings.
My God. It looks almost as good as sex.
This week’s Blogger Insider questions are from the Geekman. For my questions and his answers, check his site. 1. You write a lot about comic books, what do you think…
This week’s Blogger Insider questions are from the Geekman. For my questions and his answers, check his site.
1. You write a lot about comic books, what do you think are the top 5 comic books ever made? Why?
Oh, geez, it’s lots easier to critique others choices in this category than to actually come up with a list myself. The criterion of “top” is difficult, too. Best sales? Most influential? Most re-readable? Beyond which is the question of single stand-alone issues vs. story arcs, and other annoyances like that.
I’m gonna compromise here by IDing my favorite Trade Paperback Collections up
on my downstairs shelf. And I’m gonna compromise still further by choosing
six, and not giving any particular order:
The Books of Magic – Before Harry Potter, Neil Gaiman introduced Tim Hunter, an ordinary bespectacled boy in London who might grow up to be greatest wizard of all — if he chooses the path of Magic, as offered to him by four trenchcoated magical denizens of the DC world. Gaiman teamed up with art notables John Bolton, Charles Vess, Scott Hampton and Paul Johnson, to describe the many worlds of magic, and a young boy faced with a terrible decision. Great art, great writing.
The Watchmen – This twelve-part series let Alan Moore deconstruct the superhero genre into a tale of humans with strange abilities and funny costumes and dark passions. Dave Gibbons art complements this perfectly.
Preacher (Vol 6 – War in the Sun) – Garth Ennis’ tale of a Texas preacher with a past, out to find God and make Him answer for the pain in the world, is good through and through. But this particular volume, drawn as always by Steve Dillon (with a backup tale by Peter Snejbjerg), features the origins of Herr Starr and the Grail, some particularly passionate scenes between Jesse and Tulip, and the confrontation between the Saint of Killers and the US Army (not to mention Air Force). Great, over-the-top action.
The Sandman (Dream Country) – Reprinting issues 17-20 (and over a decade old now), this collection includes the marvelous one-shots “Calliope,” “A Dream of a Thousand Cats,” “A Midsummer Night’s Dream,” and “Facade,” individual tales of dreams, horror, and hope, each with a differerent artist, but each with Gaiman’s particular writing touch. While the Sandman story arcs were fine, I liked the single issue stories even better.
Strangers in Paradise (Complete, Vol. 2) – I love this extended love triangle soap opera written and drawn by Terry Moore. This relatively early collection completes the first “crime story” arc.
Astro City (Life in the Big City) – The original collection, and still, to my ind, the best. Kurt Busiek — aided by the art of Brent Anderson — imbues his still-recognizeably Silver Age heroes with humanity. The stories are less about how Captain X Defeats the Evil Dr. Y, but about how Captain X spends his spare time, or what the folks watching all of this going on actually think and feel. Really good stuff, duh. Even if Busiek’s health has interfered with more recent production, his work stands for all time.
2. What�s the worst nickname you ever had?
In 7th Grade Orchestra class, two of the girls in class insisted on breaking into “The Ballad of Davy Crockett” whenever I arrived.
3. Assuming god exists and offered to truthfully answer any one question you asked, what would you ask?
Unfortunately, I suspect any of the questions I’d want answered would be beyond my understanding of the answer. But I’d probably still take a stab at, “Why is there suffering?”
4. What five things do you never want to hear your children say that you already know they will one day say?
– Go away.
– I never want to talk with you again.
– I don’t love you.
– And this is where I got the *other* piercing.
– Time for your meds, Dad.”
5. Assuming no time for preparation (they meet accidentally and without warning), who would win in a fight, Spiderman or Batman? Justify your answer.
Batman, no question. Brains over brawn. Not that Spidey is stupid — Bats is just too darned sneaky, and is used to dealing with guys who are stronger and faster than he is. Hell, the guy’s been hanging around with the JLA forever, standing up to folks who can take out Superman, Green Lantern, et al. Brains, m’man. Brains.
6. What’s the best insult/comeback you never got the chance to say?
Unfortunately, while I often think of better arguments or rhetorical rejoinders after the fact, I rarely think of insults in that way. I’m just
too nice of a guy.
7. What profession, other than your own, would you most like to try?
Professional philanthropist, giving away reasonable chunks of my vast fortune to good causes.
Or maybe an accountant. I think I’d make a good accountant.
8. What one thing would you want your children to remember you for?
Teaching them, by example, how to be a good person.
9. What’s the stupidest/silliest/most trivial lie you ever got caught in? Why did you tell it? How did you get caught?
I was probably 6. My mom was giving violin lessons in the front room. I decided to get my 3-year-old brother in trouble (which needs no further explanation), and went and sprinkled salt and pepper all over the kitchen counters, then ran out to tell my mom. She proceeded to banish my brother to his room.
Not leaving well enough alone, I repeated the trick, adding sugar to the mix. Unbeknownst to me, my mom could see what I was doing in the reflection from the breakfront’s glass doors. So when I went to narc on my brother for not only such a high crime, but for his breaking out of his banishment … well, in retrospect, hilarity ensued.
10. What’s the funniest thing you ever did when no one was around to see?
Damn. I’m not good at remembering things like that. Cop-out, I know, but there you go.
11. What song most encapsulates your idea of true love?
John Barry’s “Moviola”. It has no lyrics, it’s just orchestral, but it’s broad, sweeping, nostalgic, inspirational, complex, and utterly romantic. We used it at the end of our wedding video.
12. Every material item in your home will be disintegrated at the touch of a button. You are allowed to save one thing from this horrendous fate. What item would you chose and why?
Gah! Probably a piece of art. Much of our photography is duped elsewhere — on-line, or with other people — and so could be replaced. My notebook is backed up. So probably art. Maybe the Mauro over the fireplace.
Or maybe the “lock box” of stuff that should really be in a safe deposit box but is not yet. How annoyingly pragmatic.
13. Name three things your S.O. does on purpose just to get on your nerves.
I can’t even name one. Really. She doesn’t play those sorts of games. There are occasional things she does that get on my nerves, especially when I’m already feeling peevish. But intentionally — no, not really.
14. Do you believe that it’s possible a child can do something so bad that a spanking is necessary? Why or why not?
Yes.
Spanking is not, IMO, an awful, evil thing. I think it’s an appropriate response, usually a last resort for older kids, to providing some immediate painful consequence to an action that’s dangerous (but which you don’t want to actually make good on its danger).
I’ve been known to flick Katherine’s hand with my forefinger when she keeps reaching up for something that she should not get into, and won’t listen to “No!”
The point being, of course, that spanking is not meant to inflict injury, nor to make Mom or Dad feel better, but to be part of the balance in teaching kids between “carrots,” simply withdrawing them from the unwanted situation, and “the stick.” It’s certainly something that can be done to excess, to harm — but the same can be said for any tactics you use to help bring up a child.
15. What makes something worthy of being blogged on your site?
It’s got to move me (humorously, irritatingly, absurdly) enough that I want to share it with others. That’s I think the underlying bit here — this is all stuff I want to communicate to others. So I do.
Suicide Squad #4 (DC) – Flashback story to Sgt. Rock and how he led one of the first suicide squads immediately after WWII to recover Nazi atomic research down in…
I should really be going to bed, but why not round out the day with yet more comic reviews, this time of the three most recent issues of Marvel’s “The…
I should really be going to bed, but why not round out the day with yet more comic reviews, this time of the three most recent issues of Marvel’s “The 100 Greatest Marvels of All Time.”
As of #5, they are doing a single issue per issue, so to speak, which is kind of cheesy, especially given this particular triplet.
I actually have a small digression here. In 1975, my family was vacationing at the Grand Canyon, and I managed to wangle an offer to buy a comic book at the general store there from my Mom. I had some beloved Neal Adams X-Men issues, and that the X-Man title I was seeing there was “Giant-Sized” meant I was getting all the better a bargain from my wangling. Which is why I actually have (in mediocre shape) this issue in its original — in good shape, slabbed, it would probably net several hundred dollars, easy.
Part of what I remember was that my mom, desperate for reading material, read it, too, some of it aloud. And, yes, rereading it now, the dialog is just as bloody melodramatic and unnatural-sounding as it was when Mom was reciting it. Cockrum’s art was serviceable, but never (IMO) wonderful. Overall, this is quite a mediocre comic, and it would be deservedly lost in the mists of obscurity were it not what it signalled the beginning of. It took Claremont and Byrne, at the top of their form, to take this band of misfits and send them to the top of the charts. [B-/B]
Claremont’s prose is occasionally overwrought, but most of the lines can be spoken aloud without gagging. And his study of the interpersonal relations between the various characters is excellent. Byrne’s pencilled, inked by his best collaborator, Terry Austin, are superb, lacking the sloppy breeziness of his more recent work, fully expressive and vibrant.
By now the story well-known of how Jim Shooter overrode C/B and required Jean Grey/the Phoenix to die (except she didn’t, neither of them, but that was a ploy for a later day) for her destruction of the planet of the Asparagus People. Whether it was better to kill Jean and then bring her back later than to have simply depowered her (and, to be frank, brought her powers back later) is a question of aesthetics. Frankly, it’s just fun to reread this comic, even if it’s been reprinted a dozen times. Indeed, that’s probably a good sign that it really does deserve to be #3. [A/A]
And that’s all the comic books on the table — well, all the ones I’ve read, and the rest get to go upstairs, and I really better sign off because tomorrow’s a work day.
Grades [writing/art] … Generations 2 #4 (of 4) (DC) – John Byrne, over the past few years, has done much better working in his own little worlds than in interfacing…
Grades [writing/art] …
Working my way down the stack … Grades [Writing/Art] Superman #177 (DC) – I only recently got back onto the Superman bandwagon, and Jeph Loeb is a big reason why….
Working my way down the stack … Grades [Writing/Art]
Daredevil: Yellow #5 (MarvPG) – Loeb and Sale continue to write a wonderful repainting of Daredevil’s early career. I am seriously waiting for the collected version of this, so I…
More (!) later, as I finish plowing through a stack a few weeks old.
Various comics, recently read. Catwoman #1 (DC): New writer, new artist, new costume — but nearly enough new to warrant the tired old trick of restarting with issue #1, after…
Various comics, recently read.
Of course, that was all on the top of the stack. The good stuff from the last two weeks is yet to come …
Continuing the review of Marvel’s self-title Greatest 25 (based on a readership poll). (Lucky for you, this week they skipped. I assume the finale will be out next week.) 9….
Continuing the review of Marvel’s self-title Greatest 25 (based on a readership poll). (Lucky for you, this week they skipped. I assume the finale will be out next week.)
In 1999-2000, John Byrne wrote and drew a year-long series retelling/updating the origins of Spider-Man. He was roundly booed by the comic book community for tinkering with a legend. Remarkably enough, Brian Bendis did a much more thorough gutting and rebuilding of the Spidey legend in Ultimate Spider-Man, and everyone cheered. Go figger. Bendis’ story is decent enough, but rather than a bunch of 60s cliches about what life would be like for Peter Parker, social outcast, we get a bunch of 90s cliches about the same thing. Ho-hum. I like Bendis, and I like Byrne. I can’t recommend either of their series. And, for reasons noted previously, I’m loathe to say that anything this recent will stand the test of time.
Lee and Kirby (the latter inked clumsily by Paul Reinman) set the groundwork for Marvel’s most successful series. The characters — a bit rough around the edges — are all there. And if the trope of mutants-as-persecuted-minority was not yet established, we got to meet in the very first issue Magneto — one of the only cases from these early years I can think of where heroes’ signature villain showed up in the very first issue. It’s not the best work for either of the creators, and the book wouldn’t really take off until it had been cancelled and then resurrected in the 1970s, but all these characters are still around, and still going strong.
More Lee and Kirby excellence, Cap was the first “golden age” hero to reappear in Marvel comics. Though there are some oddities — Cap seems to know that he’s been trapped for decades in an ice flow, and neither he nor Submariner seem to recognize each other (though they fought alongside each other in WWII) — this is a strong story, allowing each of the characters a moment in the sun. Does it qualify for the Top Ten? Maybe not, but it’s another classic, so I’ll forgive them.
The sequel scored at 19th place, but this story rightly blows it out of the water. A high point in the Spidey saga, the death of Gwen Stacy at the hands of the Green Goblin (or was it at Spidey’s own hands — er, web?) was Marvel pathos at its most tear-jerking. A powerful tale that deserves Top Ten status.