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Comics, comics, comics!

Gob and gobs of them. For bandwidth’s sake, we’ll do this down in the “MORE” area ……

Gob and gobs of them. For bandwidth’s sake, we’ll do this down in the “MORE” area …

Continue reading “Comics, comics, comics!”

We read lots of comics

Lots and lots and lots … And here are the reviews….

Lots and lots and lots …

And here are the reviews.

Continue reading “We read lots of comics”

Cartoon Cartoon

I’ve not been much into on-line comics, but it’s worth reading Warren Ellis’ Superidol story. Since it’s written by Ellis, you can know in advance that it will be weird,…

I’ve not been much into on-line comics, but it’s worth reading Warren Ellis’ Superidol story. Since it’s written by Ellis, you can know in advance that it will be weird, disturbing, and intriguing — sort of like Rod Serling on depressants.

We read comics …

Been a little bit, but here are some reviews of What I’m Reading ……

Been a little bit, but here are some reviews of What I’m Reading …

Continue reading “We read comics …”

Aloha

John Buscema passed away 10 January, according to the Comics Buyer’s Guide. Though he never topped my Top Ten list, and a lot of current comics readers may not have…

John Buscema passed away 10 January, according to the Comics Buyer’s Guide. Though he never topped my Top Ten list, and a lot of current comics readers may not have heard of him, he was one of the great classic Silver Age comic book artists. With apologies to Barry Smith, for example, Buscema was IMO the definitive Conan the Barbarian artist for Marvel. He also sticks out in my mind for his time on Captain America, Thor, and The Silver Surfer.

Buscema’s greatest strength was the ability to portray a powerful, yet graceful strength. His characters were Heroic, but any distortion to the human form came naturally — his muscular characters were simply larger than life, not steroid-hyped monstrosities.

His stuff still looks good today.

He will be missed.

Hey, kids! Comics!

More comics reviews ……

More comics reviews …

Continue reading “Hey, kids! Comics!”

What, comics reviews, again?

Oh, yeah….

Oh, yeah.

Continue reading “What, comics reviews, again?”

We get comics …

Yeah, no kidding. More comics reviews below. Read at your own peril….

Yeah, no kidding.

More comics reviews below. Read at your own peril.

Continue reading “We get comics …”

… 2, 1.

Finishing the list of the 100 (er, 25) Greatest Marvels of All Time, as elected by the readers and reprinted by Marvel itself. 2. Fantastic Four #1 (Nov. ’61) The…

Finishing the list of the 100 (er, 25) Greatest Marvels of All Time, as elected by the readers and reprinted by Marvel itself.

2. Fantastic Four #1 (Nov. ’61)
The idea of four friends ‘n’ lovers who are turned into metahumans by no intent of their own, and who, though they take on heroic roles, are still possessed of personal foibles, who quarrel, who have feet of clay — well, it’s old hat now. When Lee and Kirby did it — whichever one of them did what in it — it was revolutionary. While the “bad guy” in this premiere issue is the fairly forgettable Mole Man, it’s still interesting to see how the Marvel Age really began. You can have your Spider-Man, I’ll take the FF. Speaking of which …

1. Amazing Fantasy #15 (Aug. ’62)
This was almost a foregone conclusion — the issue that introduced Spider-Man. Okay — another archetype was born here — the Angsty Teen with Super Powers. And it’s probably never been done better than in the early Lee/Ditko days, with a freshness that all the repetitions since have not recaptured. And the final lesson, that “with great power there must also come — great responsibility” has set the tone for comics ever since, despite the efforts at grim and gritty. Amazing, indeed. I’d quibble over the order of these two, but they probably deserve the top two spots between them.

We get comics …

I am badly behind in my comics reading. Worse yet, I have all of my time in Faerie’s books sitting in the pull bin at Mile High Comics in Littleton….

I am badly behind in my comics reading. Worse yet, I have all of my time in Faerie’s books sitting in the pull bin at Mile High Comics in Littleton.

And worst of all, I’m way behind in my comics reviews.

Continue reading “We get comics …”

My thoughts, exactly

Dork Tower is one of the funnier strips/comics out there. This one pretty well relays how I feel about LotR. (Via Doyce)…

Dork Tower is one of the funnier strips/comics out there. This one pretty well relays how I feel about LotR.

(Via Doyce)

Commercial joy

New commercial for Lord of the Rings. My God. It looks almost as good as sex….

New commercial for Lord of the Rings.

My God. It looks almost as good as sex.

Blogger Insider

This week’s Blogger Insider questions are from the Geekman. For my questions and his answers, check his site. 1. You write a lot about comic books, what do you think…

This week’s Blogger Insider questions are from the Geekman. For my questions and his answers, check his site.

1. You write a lot about comic books, what do you think are the top 5 comic books ever made? Why?

Oh, geez, it’s lots easier to critique others choices in this category than to actually come up with a list myself. The criterion of “top” is difficult, too. Best sales? Most influential? Most re-readable? Beyond which is the question of single stand-alone issues vs. story arcs, and other annoyances like that.
I’m gonna compromise here by IDing my favorite Trade Paperback Collections up
on my downstairs shelf. And I’m gonna compromise still further by choosing
six, and not giving any particular order:
The Books of Magic – Before Harry Potter, Neil Gaiman introduced Tim Hunter, an ordinary bespectacled boy in London who might grow up to be greatest wizard of all — if he chooses the path of Magic, as offered to him by four trenchcoated magical denizens of the DC world. Gaiman teamed up with art notables John Bolton, Charles Vess, Scott Hampton and Paul Johnson, to describe the many worlds of magic, and a young boy faced with a terrible decision. Great art, great writing.
The Watchmen – This twelve-part series let Alan Moore deconstruct the superhero genre into a tale of humans with strange abilities and funny costumes and dark passions. Dave Gibbons art complements this perfectly.
Preacher (Vol 6 – War in the Sun) – Garth Ennis’ tale of a Texas preacher with a past, out to find God and make Him answer for the pain in the world, is good through and through. But this particular volume, drawn as always by Steve Dillon (with a backup tale by Peter Snejbjerg), features the origins of Herr Starr and the Grail, some particularly passionate scenes between Jesse and Tulip, and the confrontation between the Saint of Killers and the US Army (not to mention Air Force). Great, over-the-top action.
The Sandman (Dream Country) – Reprinting issues 17-20 (and over a decade old now), this collection includes the marvelous one-shots “Calliope,” “A Dream of a Thousand Cats,” “A Midsummer Night’s Dream,” and “Facade,” individual tales of dreams, horror, and hope, each with a differerent artist, but each with Gaiman’s particular writing touch. While the Sandman story arcs were fine, I liked the single issue stories even better.
Strangers in Paradise (Complete, Vol. 2) – I love this extended love triangle soap opera written and drawn by Terry Moore. This relatively early collection completes the first “crime story” arc.
Astro City (Life in the Big City) – The original collection, and still, to my ind, the best. Kurt Busiek — aided by the art of Brent Anderson — imbues his still-recognizeably Silver Age heroes with humanity. The stories are less about how Captain X Defeats the Evil Dr. Y, but about how Captain X spends his spare time, or what the folks watching all of this going on actually think and feel. Really good stuff, duh. Even if Busiek’s health has interfered with more recent production, his work stands for all time.

2. What�s the worst nickname you ever had?

In 7th Grade Orchestra class, two of the girls in class insisted on breaking into “The Ballad of Davy Crockett” whenever I arrived.

3. Assuming god exists and offered to truthfully answer any one question you asked, what would you ask?

Unfortunately, I suspect any of the questions I’d want answered would be beyond my understanding of the answer. But I’d probably still take a stab at, “Why is there suffering?”

4. What five things do you never want to hear your children say that you already know they will one day say?

– Go away.
– I never want to talk with you again.
– I don’t love you.
– And this is where I got the *other* piercing.
– Time for your meds, Dad.”

5. Assuming no time for preparation (they meet accidentally and without warning), who would win in a fight, Spiderman or Batman? Justify your answer.

Batman, no question. Brains over brawn. Not that Spidey is stupid — Bats is just too darned sneaky, and is used to dealing with guys who are stronger and faster than he is. Hell, the guy’s been hanging around with the JLA forever, standing up to folks who can take out Superman, Green Lantern, et al. Brains, m’man. Brains.

6. What’s the best insult/comeback you never got the chance to say?

Unfortunately, while I often think of better arguments or rhetorical rejoinders after the fact, I rarely think of insults in that way. I’m just
too nice of a guy.

7. What profession, other than your own, would you most like to try?

Professional philanthropist, giving away reasonable chunks of my vast fortune to good causes.
Or maybe an accountant. I think I’d make a good accountant.

8. What one thing would you want your children to remember you for?

Teaching them, by example, how to be a good person.

9. What’s the stupidest/silliest/most trivial lie you ever got caught in? Why did you tell it? How did you get caught?

I was probably 6. My mom was giving violin lessons in the front room. I decided to get my 3-year-old brother in trouble (which needs no further explanation), and went and sprinkled salt and pepper all over the kitchen counters, then ran out to tell my mom. She proceeded to banish my brother to his room.
Not leaving well enough alone, I repeated the trick, adding sugar to the mix. Unbeknownst to me, my mom could see what I was doing in the reflection from the breakfront’s glass doors. So when I went to narc on my brother for not only such a high crime, but for his breaking out of his banishment … well, in retrospect, hilarity ensued.

10. What’s the funniest thing you ever did when no one was around to see?

Damn. I’m not good at remembering things like that. Cop-out, I know, but there you go.

11. What song most encapsulates your idea of true love?

John Barry’s “Moviola”. It has no lyrics, it’s just orchestral, but it’s broad, sweeping, nostalgic, inspirational, complex, and utterly romantic. We used it at the end of our wedding video.

12. Every material item in your home will be disintegrated at the touch of a button. You are allowed to save one thing from this horrendous fate. What item would you chose and why?

Gah! Probably a piece of art. Much of our photography is duped elsewhere — on-line, or with other people — and so could be replaced. My notebook is backed up. So probably art. Maybe the Mauro over the fireplace.
Or maybe the “lock box” of stuff that should really be in a safe deposit box but is not yet. How annoyingly pragmatic.

13. Name three things your S.O. does on purpose just to get on your nerves.

I can’t even name one. Really. She doesn’t play those sorts of games. There are occasional things she does that get on my nerves, especially when I’m already feeling peevish. But intentionally — no, not really.

14. Do you believe that it’s possible a child can do something so bad that a spanking is necessary? Why or why not?

Yes.
Spanking is not, IMO, an awful, evil thing. I think it’s an appropriate response, usually a last resort for older kids, to providing some immediate painful consequence to an action that’s dangerous (but which you don’t want to actually make good on its danger).
I’ve been known to flick Katherine’s hand with my forefinger when she keeps reaching up for something that she should not get into, and won’t listen to “No!”
The point being, of course, that spanking is not meant to inflict injury, nor to make Mom or Dad feel better, but to be part of the balance in teaching kids between “carrots,” simply withdrawing them from the unwanted situation, and “the stick.” It’s certainly something that can be done to excess, to harm — but the same can be said for any tactics you use to help bring up a child.

15. What makes something worthy of being blogged on your site?

It’s got to move me (humorously, irritatingly, absurdly) enough that I want to share it with others. That’s I think the underlying bit here — this is all stuff I want to communicate to others. So I do.

Comics, comics, comics …

Suicide Squad #4 (DC) – Flashback story to Sgt. Rock and how he led one of the first suicide squads immediately after WWII to recover Nazi atomic research down in…

  • Suicide Squad #4 (DC) – Flashback story to Sgt. Rock and how he led one of the first suicide squads immediately after WWII to recover Nazi atomic research down in Argentina. Fair effort from Keith Giffen, with fine “DC War Comic” art from Russ Heath. [Writing/Art – B/B-]

  • Black Panther #39 (MarvPG) – “‘Nuff Said” installment (all art, no dialog), with plenty of battle action between BP and an evil/possessed Iron Fist. BP holds his own, interestingly enough. A bit of backstory, as Ross’s condition deteriorates, and a bit of fudging on the monthly concept by having some hand-written notes by Ross help explain what the frell is going on with him. [B/B+]

  • Fray #5 of 8 (DH) – More reluctant Slayer fun in the future. Joss Whedon’s book is fresh in a familiar way. This issue feels a bit more pedestrian than most, but it’s still worth the cover price. [A-/B+]

  • Captain Marvel #25 (MarvPG) – Rick gets depressed, Cap gets beat up on by Blastaar, Blastaar and Burstaar get angry, Moondragon watches Holy Grail, the Supreme Intelligence plots, Ronan plots, too, Una-Rogg gets snarky … and things get even more depressing. One of Peter David’s occasionally somber issues. [B+/A-]

  • Liberty Meadows #24 (ISG) – The funniest stuff on four — or two — legs. Frank Cho’s strip is ending in newspapers soon, but that’s so he can focus on uninhibited action in his comic. This issue, his how-to feature, “How I Draw Brandy With Outrageous Cans.” Buy it. It’s funny. [A/A]

  • Dork Tower #15 (Dork Storm) – John Kovalic’s strip is for anyone who likes gaming or scifi or (in this case) Renn-Faires, or for anyone who knows someone who does. Also very, very funny stuff, though the Matt/Kayleigh/Gillian triangle is starting to get a wee bit painful. [A-/B+]

  • Elektra #5 (MarvPG) – Bendis’ writing is fine as always, and works well in the spy/crime/honor/conspiracy realm, but Chuck Austin’s art is marginal at best, and far too awkward for a martial arts story. Bleah. [B/D]

  • Adventures of Superman #599 (DC) – Filler story from Joe Casey and Derec Aucoin, in the relationship between Supes and a sub captain he rescued from a Kursk-like event years ago. [B+/B]

  • Fury #4 (MAX) – Ennis is beginning to hit his stride here, with Fury playing Fury as a bitter super-soldier with the occasional surprising soft spot. There’s nothing really new here if you’ve read Punisher, but it’s still good stuff. [B+/B]

  • Green Lantern #145 (DC) – Winick continues playing with GL’s power in different ways, and this time he’s pushed the envelope even further. The writing is interesting, but Winick does better personal interaction than grand action, and the latter is what this story is mostly about. [B+/B+]

  • Detective #765 (DC) – Over the past year or so, the Bat-books — at least the ones I read — have been more about the people around Bats and how they perceive him, and themselves through him, than on Bats himself. And maybe that’s how it should be. A character this dark and mysterious should be mysterious. Greg Rucka has been having fun with turning Bruce Wayne’s bodyguard, Sasha, into a Bat-sidekick, letting her be sort of an Everywoman in the Bat-world. [A-/B] This title’s backup series is one of the best so far. “Josie Mack,” as written by Judd Winick, is a Gotham detective who can “read” objects, sense their emotions, their stories. Of course, she can’t exactly tell anyone this. Good fun, but it’s not clear that it would ever stand up as its own series, nor would she be a good supporting character (since she’d likely only be drawn in as a deus ex machina. [A-/B+]

  • Impulse #81 (DC) – After the relative pathos of the past few issues, this story, “Dan Coyote: The Man of La Jolla,” is classic Impulse fun. Bart gets to play Sancho Panza to a special effects guy who thinks he’s a super-hero. Hilarity ensues. Good work from Todd Dezago, and the art by Carlo Barberi continues the Humberto Ramos tradition. [A-/B+]

  • X-Treme X-Men #8 (MarvPG) – A “‘Nuff Said” issue, which is just what Chris Claremont needs. Though things get a tad confusing along the way (given that one of the villains is busy changing everyone’s perceptions of reality, and the art of necessity flashes back and forth between those perspectives), it’s a good enough issue. Sal Larroca’s art is definitely worth watching, if for no other reason than he’s finally gotten Gambit out of that really ugly thing he used to wear under his duster. [A-/A-]

  • Barry Ween, Boy Genius vol 3, #5 of 6 (Oni) – The third, and best, by Winick’s efforts reviewed here. Though the dialog sometimes gets a bit too South Park even by Barry Ween standards, the story has a great blend of both action and emotion. Barry, Jeremy, and Sara all get run through their paces, both comedically and dramatically. If you’re not reading this book — or the previous two series (conveniently TPBed for your purchasing pleasure), you should. [A/A-]

  • … 5, 4, 3 …

    I should really be going to bed, but why not round out the day with yet more comic reviews, this time of the three most recent issues of Marvel’s “The…

    I should really be going to bed, but why not round out the day with yet more comic reviews, this time of the three most recent issues of Marvel’s “The 100 Greatest Marvels of All Time.”

    As of #5, they are doing a single issue per issue, so to speak, which is kind of cheesy, especially given this particular triplet.

    • 5) X-Men #1 (10/91) “Rubicon” – The second X-Men title debuted with Chris Claremont and Jim Lee at the helm. Claremont is certainly true to his rep, introducing eleventy-dozen characters, setting up Magneto as Numero Uno (Albeit Tortured but Well-Meaning) Bad-Guy, and juggling an overly large X-cast that has to be split up into two teams (twice). Jim Lee’s art was getting progressively more and more Image-like (he left after #11 to help found that company), and while there are some nice Byrne/A.Adams riffs, it’s still an early-90s muddle of cheesecake and cross-hatching. Incredible cover art of Magneto, though, looking every bit the Master of Magnetism. Claremont, for his part, didn’t even last as long as Lee; he got pulled from the title after #3, ending his 17-year X-reign. [Writing/Art: B/B+]
    • 4) Giant-Sized X-Men #1 (5/75) “Second Genesis” – This was the blockbuster that actually introduced the New X-Men (after the old team had been relegated to reprints and occasional guest appearances). Though the early New X-Men are usually associated with Claremont and Byrne, this first issue was a Len Wein/Dave Cockrum extravaganza. It’s fascinating seeing how a desire Marvel’s president to get an international super-hero team (with “guaranteed” global sales power) turned into the New X-Men — in the intervening decades the idea that the team was made up of a Canadian (Wolverine), Russian (Colossus), African (Storm), Japanese (Sunfire), German (Nightcrawler), Native American (Thunderbird), Irishman (Banshee), and an Anglo (Cyclops) sort of lost its punch.

      I actually have a small digression here. In 1975, my family was vacationing at the Grand Canyon, and I managed to wangle an offer to buy a comic book at the general store there from my Mom. I had some beloved Neal Adams X-Men issues, and that the X-Man title I was seeing there was “Giant-Sized” meant I was getting all the better a bargain from my wangling. Which is why I actually have (in mediocre shape) this issue in its original — in good shape, slabbed, it would probably net several hundred dollars, easy.

      Part of what I remember was that my mom, desperate for reading material, read it, too, some of it aloud. And, yes, rereading it now, the dialog is just as bloody melodramatic and unnatural-sounding as it was when Mom was reciting it. Cockrum’s art was serviceable, but never (IMO) wonderful. Overall, this is quite a mediocre comic, and it would be deservedly lost in the mists of obscurity were it not what it signalled the beginning of. It took Claremont and Byrne, at the top of their form, to take this band of misfits and send them to the top of the charts. [B-/B]

    • 3) Uncanny X-Men #137 (9/80) “The Fate of the Phoenix” – And this was it — Claremont and Byrne at the top of their form. Close, personal writing, mixed with stunning, exciting art. I was just beginning to seriously collect comics at this time, being off at college, and this made me search for all the C/B issues I’d missed. The C/B run on X-Men would set the gold standard to me for what a good comic was all about.

      Claremont’s prose is occasionally overwrought, but most of the lines can be spoken aloud without gagging. And his study of the interpersonal relations between the various characters is excellent. Byrne’s pencilled, inked by his best collaborator, Terry Austin, are superb, lacking the sloppy breeziness of his more recent work, fully expressive and vibrant.

      By now the story well-known of how Jim Shooter overrode C/B and required Jean Grey/the Phoenix to die (except she didn’t, neither of them, but that was a ploy for a later day) for her destruction of the planet of the Asparagus People. Whether it was better to kill Jean and then bring her back later than to have simply depowered her (and, to be frank, brought her powers back later) is a question of aesthetics. Frankly, it’s just fun to reread this comic, even if it’s been reprinted a dozen times. Indeed, that’s probably a good sign that it really does deserve to be #3. [A/A]

    And that’s all the comic books on the table — well, all the ones I’ve read, and the rest get to go upstairs, and I really better sign off because tomorrow’s a work day.

    And a few comics more

    Grades [writing/art] … Generations 2 #4 (of 4) (DC) – John Byrne, over the past few years, has done much better working in his own little worlds than in interfacing…

    Grades [writing/art] …

  • Generations 2 #4 (of 4) (DC) – John Byrne, over the past few years, has done much better working in his own little worlds than in interfacing with the “real” universes of Marvel and DC. His retake on Spidey’s origins were soundly lambasted (though they were no more radical than Bendis’ Ultimate Spider-man). His Marvel Forgotten Years and X-Men Forgotten Years (or whatever they were called), though, were fine efforts, and proof that the man knows as much about his Marvel trivia as, say, Mark Waid. Generations 2 was a follow-up to his earlier Generations series, which posits a DC universe in which everyone aged normally, starting with the appearance of Superman and Batman in the mid-30s. Thus we get multiple generations of their descendents, as well as others who pop up along the way. This last issue of the second series deals with the years 2008 and 2019. It’s good story-telling, and Byrne’s art is always better than a poke in the eye with a sharp stick. [B+/A-]

  • The Spectre #12 (DC) – J.M. DeMatteis has been doing a fascinating job of dealing with Hal Jordan, erstwhile Green Lantern, silver age hero, and then cosmic-powered villain, having been given the job of serving as God’s Wrath Personified, the Spectre. Along the way, he’s been hitting on a raft of metaphysical themes, questions of redemption, hope, evil, good, vengeance and punishment. This time out he encounters Saint Nick and a concept of Charles Dickens, not to mention Scrooge. The result is both more hopeful than the title sometimes allows, but also somehow less satisfying. Ryan Sook does a fine Mignola riff, with enough of his own personality added in to keep it from being dull. [B+/A-]

  • Powers #15 (Image) – What happens when a highly visible, highly successful — and highly profitable — super-team breaks up, acrimoniously. Think about the hassles when major rock groups disintegrate, then add super-powers and apparent murder. Walker and Pilgrim discover the mess is bigger than just the body in the bathroom. Bendis is doing great stuff here, and Oeming’s odd, cartoony style works perfectly. A “Top Ten” comic, IMO. [A/A-]

  • More more comics

    Working my way down the stack … Grades [Writing/Art] Superman #177 (DC) – I only recently got back onto the Superman bandwagon, and Jeph Loeb is a big reason why….

    Working my way down the stack … Grades [Writing/Art]

  • Superman #177 (DC) – I only recently got back onto the Superman bandwagon, and Jeph Loeb is a big reason why. Nothing earth-shattering here — an A plot of giant robots attacking each other, a B plot of Supes answering requests by e-mail, and small advances of the “What’s wrong with Pa Kent?” and “What’s up with Clark & Lois?” subplots. [B/B]

  • Ruse #2 (Crossgen) – What if Sherlock Holmes were a gentleman adventurer, Watson were a covert sorceress who was actually there to watch after him, and the world was full of subtle magic and real gargoyles on the skyscrapers? Actually, this effort by Mark Waid and Butch Guice is much better than the premise, with a “League of Extraordinary Gentlemen” feel about it without the dehumanizing darkness of that series. Good stuff. [A-/A-]

  • Exiles #7 (MarvPG) – I’ve been enjoying this series of alternate-reality-hopping-X-types, largely because of Judd Winick’s writing. He’s having fun with the Marvel Universe, and the nature of the tales lets him tweak things however he likes. This is the first of the “‘Nuff Said” month December issues, wherein the stories are being told without any dialog or captions. An interesting tale of what the Exiles dream about. For those who want to see how Winick scripts, the first several pages also have the script for them in the back — something Marvel is doing with all its books this month, with the remaining script pages on-line. [A-/B+]

  • The Authority #27 (Wildstorm) – The story continues to lurch along through creative changers. Mark Millar gives Arthur Adams one of his darkest assignments I’ve ever seen. We continue to see the New Authority basically making life miserable for anyone opposing their G7 masters (including this issue’s brief homage to the Legion of Super-Heroes). We also discover how the powers that be are taking revenge on the Old Authority — and more than just their memories. Fine art, bloody writing, good show — for a while longer. [B+/A]

  • Giant Sized Mini-Marvels #1 (Marv) – Chris Giarrusso has been doing little four-panel Mini-Marvel strips (think Marvel Heroes as the Little Rascals) for years, tucked into different editorial pages of Marvel’s comics. This is a collection of all of them thus far, plus a new (and less satisfying) full-length story. Charming, in moderation. [B-/B]

  • Avengers: Celestial Quest #4 (of 8) (MarvPG) – This miniseries lets Steve Englehart continue both the Celestial Madonna storyline of decades past with the latest-greatest villainy of Thanos, with the Avengers (including a romance-seeking Vision) along for the ride. Varying between entertaining and a bit ho-hum (Mantis is, frankly, a boring character, and Thanos seems to be going through the motions), I was pleased this issue to see Starfox (Eros) finally get to do something a bit more interesting than his appearances for several years. He’s a fun, underused character, with a keen costume and a lot of possibilities. [B-/C+]

  • Uncanny X-Men #400 (Marv) – Issue 400, and all we get is a mediocre story (by Joe Casey) of yet another mutant-hating human conspiracy, drawn by six artists whose only thematic similarity is general ugliness? *Sigh*. Voted “Most Likely To Be Dropped Real Soon Now by Dave” for this month. [C+/D to C+]

  • Thor: Godstorm #3 (of 3) (Marv) – Kurt Busiek and Steve Rude finish their Lee/Kirby riff with a bang. Good, entertaining fun. Not my cuppa all the time, but the simplicity of this story in both writing and art would be a good lesson for a lot of the other writers and artists mentioned above. [B+/B]

  • War Story: Screaming Eagles (Vertigo) – Artist Dave Gibbons complements Garth Ennis tale of the closing days of the war very nicely. Garth Ennis has a rep as an iconoclast with a heart of stone, but there’s a humanity to his writing — as in Preacher — that belies that rep, and this whole series has demonstrated it. And while its not spelled out in black-and-white whether this Easy Company and its protagonist Sargent is, in fact, a particular DC war comics icon — it’s certainly nice to think they are. Waiting for the collection of these. [A-/A-]

  • More comics

    Daredevil: Yellow #5 (MarvPG) – Loeb and Sale continue to write a wonderful repainting of Daredevil’s early career. I am seriously waiting for the collected version of this, so I…

  • Daredevil: Yellow #5 (MarvPG) – Loeb and Sale continue to write a wonderful repainting of Daredevil’s early career. I am seriously waiting for the collected version of this, so I can loan it to all my comics-reading friends.

  • Hammer of the Gods #5 (of 5) (ISG) – The conclusion to Oeming & Wheatley’s Norse tale. This has been an odd series — powerful, yet paced oddly. Still, good stuff.

  • Out There #6 (Cliffhanger) – Augustyn and Ramos story concludes “Book 1”. This has been an interesting story thus far, sort of “What if the leading citizens of Sunnydale made a deal with the devil to keep things quiet and prosperous?” Augustyn’s story this time feels a bit rushed, and Ramos’ art keeps getting more and more cartoony. A worthy successor to Crimson for the Buffy crowd.

  • Codename: Knockout #7 (Vertigo) – Smart, sassy, sexy spy shenanigans. This one defies a quick synopsis, but it’s a guilty pleasure every month.

  • New X-Men #119 (MarvPG) – The art chores have shifted to the more Brent Anderson-like Igor Koredey, but Grant Morrison’s “what if mutants found themselves being hunted by something as predatory to them as some mutants have been toward humanity?” tale continues apace. Morrison has a lot of balls in the air, but he’s good at keeping them moving in an entertaining fashion.

  • JLA #60 (DC) – Mark Waid’s swan song is a Christmas tale wherein Plastic Man tries to convince a skeptical little boy that Santa is a member of the JLA. Entertaining fluff.

  • Alias #4 (MAX) – Brian Bendis continues to work his paranoid ways, as we discover Jessica Jones, ex-Avenger and present PI, finds her case having more and more political implications. Things begin to pay off, though, and we get a bit more metahuman mayhem than the first issues promised. Swell stuff.

  • Young Justice #40 (DC) – A mildly humorous Christmas story.

  • Mystic #18-19 (Crossgen) – This fantasy tale continues to heat up, as the evil Animora starts her campaign against Ciress. Includes some nice “What war on a magic world would be like” scenes.

  • Lucifer #21 (Vertigo) – The First of the Fallen has not only created his own universe, but made it completely open to anyone who chooses to leave God’s for his. I suspect that hilarity will not ensue. This is a fascinating anti-hero tale, though the supporting cast serves as more of a distraction than an enhancement.

    More (!) later, as I finish plowing through a stack a few weeks old.

  • Random comics cavalcade

    Various comics, recently read. Catwoman #1 (DC): New writer, new artist, new costume — but nearly enough new to warrant the tired old trick of restarting with issue #1, after…

    Various comics, recently read.

  • Catwoman #1 (DC): New writer, new artist, new costume — but nearly enough new to warrant the tired old trick of restarting with issue #1, after the old series had reached nearly 90. I mean, jeez, I thought folks had figured out these cheap tricks don’t work to spark interest. The art is serviceable in the sort of cartoony/sketchy/noir way. Decent story, but … really, not that much new.

  • War Machine #12 (MAX): The art is stiff, the writing is kind of off-beat, but this Alternative Iron Man series is still strangely compelling, and the trick of doing it weekly, with limited pages, is a good one. Still, this may be going off the menu soon.

  • X-treme X-Men – Savage Land #3 (MarvPG): Continuing to sadly demonstrate why Chris Claremont should never be allowed near the X-titles again. I mean, it’s really sad how such a seminal influence could be turning out this turgid, twisted, tangled mess. I literally could not follow what was going on. The art was half-way decent, albeit a bit heavy in the mammary department.

  • Flash #180 (DC): Something of a filler issue, as we discover more nastiness about the Iron Heights prison, and various subplots wend their way along, and the Flash discovers that not all bad guys are really bad guys. Ho-hum, but I’m willing to cut them some slack.

  • The Punisher #6 (MarvPG+): Rather than Ennis usual “souped-up Road Runner cartoon wiith added armalities” (his words), we get a dark, sad story. This will probably completely turn off the Ennis fan-boys who love his Grand Guignol farce, but it provides some much-needed leavening to what was in danger of degenerating into a parody of itself. Not that I don’t want to see the hilarity resume next month — but this one’s a definite reader.

  • Action Comics #785 (DC): Mercifully nobody’s suggesting renumbering this series. This is a Bizarro story, which is something I’ve never gotten into, but it advances Supes’ growing post-WAW stresses, including Lois on “sabbatical” and the mystery of General Zod. A decent read.

  • Young Justice #40 (DC): A Christmas fable from Peter David. Amusing, but nothing to write home about. Wait — I just did.

    Of course, that was all on the top of the stack. The good stuff from the last two weeks is yet to come …

  • “… 9, 8, 7, 6 …”

    Continuing the review of Marvel’s self-title Greatest 25 (based on a readership poll). (Lucky for you, this week they skipped. I assume the finale will be out next week.) 9….

    Continuing the review of Marvel’s self-title Greatest 25 (based on a readership poll). (Lucky for you, this week they skipped. I assume the finale will be out next week.)

  • 9. Ultimate Spider-Man #1, August ’00 – “Powerless”

    In 1999-2000, John Byrne wrote and drew a year-long series retelling/updating the origins of Spider-Man. He was roundly booed by the comic book community for tinkering with a legend. Remarkably enough, Brian Bendis did a much more thorough gutting and rebuilding of the Spidey legend in Ultimate Spider-Man, and everyone cheered. Go figger. Bendis’ story is decent enough, but rather than a bunch of 60s cliches about what life would be like for Peter Parker, social outcast, we get a bunch of 90s cliches about the same thing. Ho-hum. I like Bendis, and I like Byrne. I can’t recommend either of their series. And, for reasons noted previously, I’m loathe to say that anything this recent will stand the test of time.

  • 8. The X-Men #1, September ’64 – “X-Men”

    Lee and Kirby (the latter inked clumsily by Paul Reinman) set the groundwork for Marvel’s most successful series. The characters — a bit rough around the edges — are all there. And if the trope of mutants-as-persecuted-minority was not yet established, we got to meet in the very first issue Magneto — one of the only cases from these early years I can think of where heroes’ signature villain showed up in the very first issue. It’s not the best work for either of the creators, and the book wouldn’t really take off until it had been cancelled and then resurrected in the 1970s, but all these characters are still around, and still going strong.

  • 7. Avengers #4, March ’64 – “Captain America Joins … the Avengers”

    More Lee and Kirby excellence, Cap was the first “golden age” hero to reappear in Marvel comics. Though there are some oddities — Cap seems to know that he’s been trapped for decades in an ice flow, and neither he nor Submariner seem to recognize each other (though they fought alongside each other in WWII) — this is a strong story, allowing each of the characters a moment in the sun. Does it qualify for the Top Ten? Maybe not, but it’s another classic, so I’ll forgive them.

  • 6. Amazing Spider-man #121, June ’73 – “The Night Gwen Stacy Died”

    The sequel scored at 19th place, but this story rightly blows it out of the water. A high point in the Spidey saga, the death of Gwen Stacy at the hands of the Green Goblin (or was it at Spidey’s own hands — er, web?) was Marvel pathos at its most tear-jerking. A powerful tale that deserves Top Ten status.