We’ve had O Brother, Where Art Thou? sitting in the “Stack o’ Movies Borrowed from Jackie & Doyce Which We Really Ought to Watch Someday” stack for several weeks. Nowhere…
We’ve had O Brother, Where Art Thou? sitting in the “Stack o’ Movies Borrowed from Jackie & Doyce Which We Really Ought to Watch Someday” stack for several weeks. Nowhere near the record set by Ever After, but nothing to write home about.
Well, while Margie was off playing D&D Friday, I decided it would be fun entertainment for my folks. I often subject them to my own idiosyncratic taste in movies when they visit (regarding Dogma, my Mom’s only comment was a benign but emphatic, “That was weird.”)
OBWAT was more of a success. The music, of course, was splendid. I’m a sucker for close harmony, of whatever genre, and this was a particularly fine genre, “oldie” music, blue-grassy, back-woodsy Gospel music. Lovely. The sound track is now on my wish list.
The cinematography was quite pretty as well. The whole film feels hot and sticky, the Depression South is shown as rural and nearly deserted, and the near-sepiatone just seems to fit.
The characters are well-acted, and typically Coen-quirky. George Clooney plays the role of Ulysses well, for all that the character gets to do anything besides being a fast-talker. Things happen, people walk (competently) through the motions … and that’s the story.
Of the story, then, I’m less sanguine. It’s a fine journey, surely, and the characters are entertaining if a bit one-dimensional. Watching the Coen Bros. shuffle through Homer is also entertaining (John Goodman as the Cyclops is excellent), if sometimes surreal. But ultimately, it struck me more as a group of beautifully shot, lovingly scored, nicely acted tableaus, pretty to look at, but not something that will stick to your mental ribs.
I enjoyed watching the film. I’m glad I watched it. My folks were glad they watched it. But I don’t see watching it again any time soon. And I didn’t feel compelled to grab Margie as soon as she entered the door around 1 a.m., plop her down in front of the TV, and start it running once more. Back to the Testerman’s it’s gone, my having learned enough of the little catch phrases to be in the loop when Doyce or Rey or one of the others in the circle of friends quotes something from it.
Rent it. Borrow it. Watch it. Then move on.
One service provided to the modern generation, at the very least, is letting them know that there’s a fellow out there named Homer other than the one who resides in Springfield. At a minimum, the Coen Bros. deserve special commendation for that.