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A fine evening with "Animaniacs LIVE"

This was actually the national premiere of "Animaniacs LIVE," right here tonight in Colorado, and I can heartily recommend it as a musical show to attend.

So you might think, "Hey, it's a concert about a cartoon, so it's for little kids, ho-hum." _Au contraire._ For starters, "Animanics" was a Steven Spielberg-produced zany Warner Bros. cartoon that ran from '93 – '98, endeavoring to be both subversively adult and delightfully childlike, in the model of the old Chuck Avery cartoons. While a lot of the humor was topical (lots and lots of mention of the Hollywood celebs of the era), there was also a lot that was timeless, and the music was a rich mix of jokes, satire, patter song, and generally clever lyrics.

(The "I'm Mad" song is one of the more conventional ad hoc segments, but one of my favorite tunes — one that will certainly appeal to anyone who's herded kids in a car.)

This concert show is an homage to the show, essentially a series of musical numbers interspersed with chat about the show and how it was mad. The key here, though, is the folk who are in the show. The main stars, on-stage the full time and doing most of the heavy lifting, are Rob Paulson (the voice of Yakko, Pinky, and Dr Scratchansniff) and Randy Rogel (one of the writers and songwriters for the show). Also appearing for some of the musical numbers were Tress MacNeille (Dot) and Jess Harnell (Wakko). Rounding out the cast were Julie and Steve Bernstein who provided both some singing backup and conducting.

Having the full Colorado Symphony Orchestra for the show was amazing — though the music was written for such an orchestra (something Spielberg insisted on). At times, given we were just a few rows back from the stage edge, the native sound of the CSO overwhelmed the micced singing of the players, but overall it was nicely done.

Some of the segments included the original animation projected on the screen behind the orchestra. This was particularly used for the list songs: "Yakko's Universe," "Yakko's World," "Wakko's America."

Given that the show was 15-20 years ago, the talent is still pretty strong. Rogel (who does much of the singing) is solid, as is Paulson (suffering from just a bit of raggedness at his upper range). MacNeille and Harnell were weaker in the pipes, but they made up for it in enthusiasm (echoed from the audience).

Indeed, enthusiasm was the order of the evening here, with Paulson and Rogel taking the lead. Paulson, in fact, seemed like the happiest guy on the planet to have this show going and the large and receptive audience in attendance. The whole cast was having fun, which, especially given the subject matter, made the audience have fun, too. That audience was made up of all ages, from a few kids up through older orchestra-goers, and a lot of people who grew up with (or whose kids grew up with) "Animaniacs."

The first act of the show was the strongest, hitting on a variety of key songs from the animated series. The second half fills in with a lot of other music that Rogel has composed for animated shows, including a number from the WB cartoon series "Histeria!". These are all good and very much in line with the "Animaniacs" material, but somehow didn't feel quite as engaging as the first act material, even though the show concluded with a rousing full-cast and -audience sing-along to the "Animaniacs" theme song, as well as a specially composed extension to "Yakko's World" for the encore that included all the nations that have been created since the original song was written.

Overall, though, it was a fine, entertaining evening, with much laughter and applause to be had. I hope they have a long and successful run, and if they hit Denver again, I'll definitely look to pick up another set of tickets.

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It's Time for Animaniacs

No, really, it's time. To go to the show. Yay!





The Colorado Symphony | Animaniacs LIVE presented by Arrow Electronics

Scott O’Neil, resident conductor. Randy Rogel, writer. Rob Paulsen, Yakko and Dr. Scratch ‘n’ Sniff Jess Harnell, Wakko Tress MacNeille, Dot Julie and Steve Bernstein, composers. Animaniacs, a mix of old-fashioned wit, slapstick, pop culture and music, fueled the animation renaissance of the …

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Why my life would be better with a soundtrack

Because everything is better with a soundtrack.

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Enjoying the Big Screen on the Big Field

I've been coming to appreciate the work that goes into this kind of stuff a lot more since +Kay Hill joined marching band this year. This one's for her.

(h/t +Scott Randel)

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Farewell to the iPod Classic

Damn. We have one of these (5th Gen 80Gb). It has all our ripped music in its lovely little memory (synced to my PC), which means we use it to power our stereo system.

Better hope we don't drop it or lose it now.

Originally shared by +Gizmodo:

Apple finally killed the iPod Classic. RIP, iPod Classic: http://trib.al/3ICemx6

 

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This one’s for Mom

Fun, and impressive.

(h/t +Kee Hinckley)

Originally shared by +Jennifer Ouellette

cdza and Charles Yang Explain the Comprehensive History of the Violin Through Song

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Straining suspension of disbelief

That Which Survives

What becomes "classic literature" (or "classic art" or "classical music")?  That which survives the test of time — which sometimes is an imperfect filter (stuff disappears, falls out of favor, then gets rediscovered — sometimes — later on).

Shakespeare wrote some great stuff — but he also wrote stuff that mass entertainment, the "hit motion pictures" of the day. A lot of modern adoration for him as a "classic" playwright and his works as some of the greatest literature in the English language would have been subject to a lot of laughter and disbelief in Elizabethan times (and scoffing from a lot of other playwrights and critics of the era).

So who knows? This may be a lot more believable than you think — though I suspect that Disney will still be holding tightly to the copyrights a thousand years hence …

Reshared post from +Isaac Sher

“Welcome back to Masterpiece Theatre 3000.  I am your host, Hologram-Simulacra Thomas Hiddleston.   Today, we will be watching Arturo Branagh’s critically acclaimed reinterpretation of IRON MAN 3, as performed by the Royal Marvel Company.  Arturo Branagh is, of course, the descendant of one of the great contributors to the Canon, director to the original THOR, Kenneth Branagh, and has devoted his life to the analysis and creative manipulation of these timeless classics.”  

“Arturo’s specific alteration to ‘The Extremis Play’, as some colloquially refer to it, is the translocation of the setting and characters to the mythical land of Faerie, where the Iron Man technology becomes a heightened metaphor for the integration of accepted knowledge and careless innovation, an allegory heightened further by the Fey’s well-known weakness against Cold Iron, making the Iron Man suit a two-edged sword that gives Lord Stark tremendous personal power in battle, but at the cost of intense physical pain, illness, and fear from those who surround him who fear the touch of deadly iron.”

“Of special note is the presentation of the Extremis itself, changed here to be an eldritch formula and curse rather than technological advancement.  Branagh has said in public discussions that he considers the Extremis as a metaphor for the perils of limitless greed so evident in the plutocrats of the early 21st century, an inner fire that appears to give great power but in truth, consumes painfully from within, which then in turn resonates with Lord Stark’s Iron Man technology-as-metaphor as noted previously.  But now, let us begin.”

#RoyalMarvelCompany  

Here's hoping there's an end to the Happy Birthday business

To wit, the royalties that Warner/Chapell Music claims for any public performance of the song, amounting to millions of dollars each year, based on dubious (if not outright fraudulent) copyright claims.

If nothing else, if it gets restaurants out of the business of singing their own godawful birthday songs, it will be worth it.

Embedded Link

Lawsuit Filed To Prove Happy Birthday Is In The Public Domain; Demands Warner Pay Back Millions Of License Fees | Techdirt
Happy Birthday remains the most profitable song ever. Every year, it is the song that earns the highest royalty rates, sent to Warner/Chappell Music (which makes millions per year from “licensing” the song). However, as we’ve been…

Punning Up the Score

I've been in love with Michael Giacchino's soundtrack work since The Incredibles, but his use of punning soundtrack titles hadn't caught my eye, until now.

Frankly, I love it.

Michael Giacchino’s Planet of the Apes Score Has Finally Taken It Too Far
Michael Giacchino is somewhat infamous for filling his movie score tracklists with terrible puns, but this time he’s finally taken it too far. People who don’t take their work seriously just drive me bananas. (HT @JohnAugust)

The Mystery of Classic Rock

What is "Classic Rock"?  Apparently, it's what surveys and test audiences say it is, with a core period of 1973 to 1982, and not much after 1991.

What's interesting is where there are regional variations. Denver stations, for example, include more Van Halen, AC/DC, and Queen tracks than the average classic rock  station across the country.

Reshared post from +Gerard McGarry

Classic Rock isn't what it used to be…
Great study by +FiveThirtyEight of the different types of 'classic' rock that are played across American radio stations. You'll be fascinated by how much the playlists vary betwen regions and the reasons why.

Why Classic Rock Isn’t What It Used To Be
Led Zeppelin is classic rock. So are Mötley Crüe and Ozzy Osbourne. But what about U2 or Nirvana? As a child of the 1990s, I never doubted that any of these bands were classic rock, even though it …

Music, Notationwise

This one's for +Kay Hill and +Gloria Hill.

And, yes, I was the Unusual One.

(h/t +John E. Bredehoft)

Reshared post from +Cindy Grotz

This reminds me of so many fun and exciting days in band class when Mr. Knight would describe the feeling the music was supposed to express.

Music is cool.

+Cyndi S. Jameson +Amanda Rachelle Warren I think of yous.

That Sad, Inevitable Day in Everyone's Life

Wake Me Up Before You Go-Go

Love Pomplamoose. And it's a very nice, clean, contemporary cover of this "classic" tune.

Reshared post from +Wil Wheaton

I got to spend a week on a boat with Natalie and Jack, and discovered that they are truly awesome people, as well as fantastic musicians. If you have some time, spend it watching their videos. I don't think you'll be disappointed.

I love my wife, but oh, you kid!

I've heard the phrase before (the product of a misspent youth watching old black and white TV shows), but never much of the story behind it.  Fascinating stuff (if not least of which for the most improbable Angela Lansbury video ever).

How a Sexed-Up Viral Hit From the Summer of ’09— 1909—Changed American Pop Forever
In the spring of 1909, American popular song got sexy. Of course, love and courtship, and by extension sex, had been Topic A in pop music for decades. But while songwriters had long trafficked in euphemisms and innuendo—coy talk of “sighing” and “spooning” beneath the old oak tree and by…

Eek! Appropriation! Eek!

Randa Jarar writes about the horror, the horror, of non-Arabic women doing belly dancing, especially when they wear Arabic-style ("Orientalist") clothing and make-up when doing so.

This, she says, is simple "appropriation" of Arabic women's culture, somehow stealing something that doesn't belong to them.

Um ….

First off, I sincerely doubt that belly dancing (or Raqs Sharqi) sprang up, full-blown, across the Arab world.  Instead, it likely borrowed elements from different cultures that intersected across the Middle East and beyond, carried on cultural and trade and military tides through the region.

Secondly, that's just a plain goofy assertion, as wrongheaded as a German being offended by an Arab orchestra playing Mozart, or a Japanese accusing an Italian sushi bar owner of "appropriation."

Now, I don't deny that early borrowings of belly dancing to the West were laden with "Orientalist" oohs and aahs about those Strange Exotic Women with Their Shimmying Sensuous Hips and all the other Nineteenth Century tripe that went with it.  And you can still see elements of that in mass media into the modern era.

But that's very different, to my mind, from a blonde in Cincinnati studying and practicing belly dancing, not because she's trying to rob Arabic women of their identity (somehow), but because she enjoys it.  If a woman in Cairo wants to become a Disco Queen, more power to her, too.

Now, a blonde from Cincinnati changing her name to something Arabic-sounding, dying her hair, and passing herself off (at least on stage) as Arabic is something a little different — though it's still not the mockery of blackface in minstrel shows.

Culture spreads. It's not the private domain of anyone. Pretending to be "authentic" is one thing, but adopting elements of other cultures because they please you or mean something to you isn't "appropriation," it's the way culture works, moves, evolves. It doesn't diminish the original, it just adds to the tapestry of human experience.

Why I can’t stand white belly dancers
Whether they know it or not, white women who practice belly dance are engaging in appropriation

The Guitar Teacher

Bill Sickles is the gent Kay's taking guitar lessons from. He recently posted a few sampler videos on YouTube.

Classical music is not all Masses and Madrigals

As anyone who ever saw the movie Amadeus knows, Mozart was not a poster boy for propriety.  But, then, a lot of creative geniuses aren't.

Reshared post from +Michelle May

3 Dirty Songs by Mozart

Music and Dyslexia

A study of dyslexic musicians points to how dyslexia works in the general population.

What Musicians Can Tell Us About Dyslexia and the Brain – Wired Science
Musicians with dyslexia are extremely uncommon. A new study, the first to look at this rare group, challenges some of the conventional thinking on the relationship between language and music.

SteamRag

I greatly approve.

(h/t +Yonatan Zunger)

Reshared post from +Effie Seiberg

There's something about this guy and his handmade callioforte that I can't stop watching: Tiger Rag