Let me start off by saying how much I love Nick’s Avatar: The Last Airbender cartoon series. I’ve watched it — mostly with Katherine, usually with Margie — probably three to four times through, and other sections even more often. It’s charming, witty, silly, profound, well-animated, well-scored, well-written, and, while having some weaknesses, is some of the better storytelling I’ve been pleased to share with Kay during her childhood.
This movie, however, is none of these things. It is leaden, stilted, overly self-conscious, shallow, poorly scored, abominably written, and will, alas, not sink into the mire of forgotten cinema, but will instead, based on the reviews of this first weekend, serve both as an exemplar of bad adaptations and as a final nail in the coffin of M. Night Shyamalan.
And none of it had to be that way.

The Last Airbender (2010)
| Overall |  | Story |  |
| Production |  | Acting |  |
Adaptations/remakes tend to fail because the creative leader behind them because either (a) doesn’t care about the material and is simply in it for a buck, (b) either cares or doesn’t care for the material, but is out to make his or her new thing on its back.
They succeed when the creative leader really loves the material, respects it, and wants to build from it, taking advantage of the new talent, technology, and medium to make things even better. And, of course, when the creative leader has the wherewithal to do this sort of thing.
So take Peter Jackson’s Lord of the Rings trilogy. Almost everyone has something to criticize about it. But nobody question’s Jackson’s desire to do well by the material, to adapt it for the screen (something so many people, brilliant and otherwise, said could not be done), and his ability to actually do so. The complaints tend to be, mostly, quibbles (coughArwencough), and I think nearly anyone out there (certainly anyone likely to be reading this) will agree it was a remarkable achievement, flaws and all.
M. Night Shyamalan (MNS from here on out) is not Peter Jackson.
There’s no question in my mind that MNS loves the source material. He’s made that clear in interview after interview — his kids were real fans, and he picked up on that and really wanted to do this movie, a departure from his usual fare.
He loved unwisely and not well.
More details (and spoilerishness) below the cut.
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