As someone in the framing sequence might say, “Brilliant!”
Margie will be amused to know that I recognize all — well, most — of the tunes.
As someone in the framing sequence might say, “Brilliant!”
Margie will be amused to know that I recognize all — well, most — of the tunes.
I’ve a great fondness for TV theme songs. Positive associations with shows I like + repetition each week = fondness in my music book.
While I’m not so much into theme song covers, here‘s a duo doing a very nice job of doing 22 of them in 7 minutes.
Just to add some surreality to your day …
Yes, “Smoke on the Water,” Japanese-style, at a concert in commemoration of the Great Fire of Edo, 250 years ago. I’m not sure about the singing, but the orchestration is awesome.
Okay, whatever you may think of the music (I enjoyed it moderately, but everyone’s taste varies), the setup for this, plus the camera work, is worth spending four minutes of your life to see.
Directed by James Frost, OK Go and Syyn Labs. Produced by Shirley Moyers. The official video for the recorded version of “This Too Shall Pass” off of the album “Of the Blue Colour of the Sky”. The video was filmed in a two story warehouse, in the Echo Park neighborhood of Los Angeles, CA. The “machine” was designed and built by the band, along with members of Synn Labs ( http://syynlabs.com/ ) over the course of several months.
Bravo, people.

In a discussion with Margie and Mary this evening …
Once upon a time — with the 45 — music was all about the singles (and, secondarily, the flip-side, but that wasn’t important). When the 45 gave way to the 33 … and then to the cassette … and then to the CD … the album became God.
And with the introduction of digital music, and the iTunes store, and so forth, suddenly we can now easily acquire singles again, and the album is quickly fading into commercial obscurity.
Some folks think that’s a Good Thing. “At last! We don’t have to buy music we don’t want in order to get the single track by this artist that we do want! We can just buy the big hit, and not be forced to get an album of fill-in dreck.”
Me? As much as I enjoy the Big Hits, I’ve found that, with familiarity, in many cases my favorite tunes on a given CD are not what hit the Top 40. And if I hadn’t been “forced” to buy the whole album, I would never have listened to them, let alone bought them. Serendipity is a wonderful thing …
When I was growing up, a lot of the SF I read was collections of short stories, most of them from various SF magazines past and present.
SF magazines have been in a lot of trouble over the past (mumble mumble) decades, and collections of SF shorts have grown less and less popular (as measured by shelf space at the local Buns & Noodle). Instead, we get full-length novels. And, in fact, not just full-length novels, but trilogies and longer series. Everything is about buy-in to tales that max out the form.
But now we have a publishing revolution in the electronic form … and everyone is looking at marketing their works through the eRealm — to formal readers like Kindle or Nook, or through PDFs and other open forms.
So …
When will we see the resurgence of the short story and novella?
If a novel by Hot Author X is worth $9.99 on Kindle, would folks be interested in seeing a short story by Hot Author X for $1? How about trying out a short story by Unknown Author Z for $1? How about for 50 cents?
I’m trying to map music to lit here. We had collections of short stories, based on magazine formats, for many years, paralleling 78 then 45 singles. Then, once the the publishing industry stabilized, we had novels and longer series at the fore, analogous to albums (whether linked by concept or not).
So if the music industry has shifted again to the cheap single, stripping acceptance of creations down to the single, short, digestible, most popular creative act … wny not a resurgence of the short story for peanuts?
I’m not arguing that’s necessarily a good thing (I enjoy novels, novel series, and, as noted, albums). But it seems a logical progression to me.
(It is altogether likely that I am about the 25,000th person to think of this. But I don’t recall reading anyone saying it, so I offer it as my own uninformed bit of industry speculation. Those with more wisdom as to such things, feel free to take pot shots.)
Last night we had a “Talent Show Dinner” down at Good Shepherd– which turned into quite an extravaganza, pulling in about 140 people, which was about twice as many as I thought would attend.
I got to MC the affair for the most part, which was fun, if a bit challenging (as I’m generally awful with names), and we had a karaoke contest, a talent show, some professional singing, and a bit of joke telling.
I regaled the crowd with a rendition of Tom Lehrer’s Irish Ballad, which was well-received (even among those who’d never heard of Tom Lehrer (egad!).
We also started out with a spaghetti sauce competition, which I oversaw, and which Margie judged in. Fun.
My only regret of the evening was that it ran long enough that only a few people chose to avail themselves of telling the jokes I’d collected for people to tell.
A fun time for all in attendance.
Katherine auditioned for, and got, a solo at the 4th Grade concert. She has the opening verse of “Rock and Roll Is Here to Stay” (performed below by Danny and the Juniors):
Woot!
So something I almost forgot in my move to my new PC was to verify that, as I listen to music during the Blogathon, I can post those little annoying “I’m listening to” messages.
Listening to: John Barry, “Six Robots” (The Black Hole (Original Motion Picture Soundtrack)))
And I discovered that Linear wasn’t posting them. Which made me track down the Linear option to do so, which led to the revelation that it required a plug-in to iTunes, which link I clicked on and …
Got a 404 error. File not found. And, in fact, site not found.
The plugin was called WMPtunelog, so I did some Googling. Everything kept bringing me back to the 404 page, until I dug up that it was written by Bill Zeller of Zempt fame, which led me to look that up, and …
Anyway, for the record (and my future reference), WMPtunelog (as well as the WinAmp-friendly WMPamplog) can be found here now.
I used to love this song, but I don’t think I’ve every watched the music video. I’ll never be able to listen to is again without think of this dubbed music video version.
Second-funniest thing I’ve seen this week.
… with The Sound of Music …
Cool.
Apparently the music number, staged at the Antwerp central rail station, was part of some reality show in Belgium.
I need to find our copy of The Sound of Music and share the original with Katherine. I think she’d enjoy it.
Since this has INFESTED THE BRAINS of my family, and the CUTE VOICES insist that, even though I posted a link about it a couple of days back, WE MUST SPREAD THEIR EVIL EARWORMS to EVERYONE …
Yes, it’s the Nom-Nom-Nom Bunny Song. And now, you, too, are DOOOOMED to hear it in your head over, and Over, and OVER, MWAH-HA-HAAAAAAH!!!
(via Boing-Boing)
UPDATE: But wait … was Teh Cute … STOLEN from … THIS?! Yes! Yes it is! Parry Gripp (who also composed, of all things, the title tune to Buffy the Vampire Slayer) did the Nom Nom Nom music (available for free) and the original YouTube video.
And now the music is on my iPod and IT WILL NEVER LET ME GOOOOOOOOO!!!!
Maurice Jarre, Oscar-winning movie (and TV) composer has died at age 84. His works that I particularly loved were the soundtracks for Lawrence of Arabia, and the Jesus of Nazareth and Shogun TV mini-series.
Tilt-shift photography is a technique which can be used, among other things, to give a false appearance of miniatures. Throw in some sped up action, one can spend half their time wondering if it’s real, or fake. As in this very cool (and fun) video, Bathtub IV.
Bathtub IV from Keith Loutit on Vimeo.
(via BoingBoing & Les)
From today’s Forgotten English page-a-day calendar (by Jeffrey Kacirk), we learn:
The Waltz was forbidden on about this date in 1799 in parts Switzerland and Germany.
Yes, it’s the Waltz … the Forbidden Dance!
Through the 18th century, Europeans were inclined toward complex dances, such as the gavotte, minuet, and quadrille, which maintained the appearance of sexual propriety. But by 1733 the waltz, the name derived from the Italian volver, to revolve, had become popular in Vienna. It was developed from the medieval weller, or turning dances of alpine Austrian and Bavarian peasants, whose ancient yodeling melodies formed their foundations.
Aha! Those lascivious Austrian yodelers! I knew they were behind this!
But many were adamantly opposed to this risqué dance, which encouraged couples to hold each other in unprecedented embrace.
Presumably unprecedented on the dance floor, and by “proper” people.
In July 1816 the London Times wrote scornfully on the waltz’s recent introduction at a royal ball: “So long as this obscene display was confined to prostitutes and adulteresses, we did not think it deserving of notice. But now that it is forced on the respectable classes of society, we feel it a duty to warn every parent against exposing his daughter to so fatal a contagion.”
Remember that next time someone is ranting about “kids and their crazy dances these days,” or bemoans the deterioration of popular culture into the morass of licentiousness and debauchery.
So amidst other things I’ve been doing this afternoon, having gotten my iTunes library onto an external drive and so having plenty of room there, I played catch-up on ripping some CDs received but not yet gotten into said library.
To wit …
Yay.

I finally found some instructions for doing something I’d been wanting to do for some time — shift my 25Gb iTunes library from my notebook hard drive to an external hard drive.
The instructions were actually official Apple notes. I went through the steps, very straightforwardly, and left it all running overnight. Essentially, it’s just changing the location for the music library to the new drive, then running the Consolidate Library function. So far everything is working just fine.
What I haven’t done is taken this next step, which is moving the iTunes library files (as opposed to the music files they point to) to the external drive. I’m thinking I should do so (it would make the music completely portable). I just haven’t done it yet.
What’s a bigger question is what to do with half my hard drive free again …